Lee Campbell

참여 작품

Hunks in Trunks
Director
What sex education was available in the 1990s, pre-internet, for me, the gay teenager in Britain? At school, the default education was heterosexual sex but I wanted to know about homosexual sex between men, and not just sex but about homoerotic desire and love. Rooted in making use of what was available to me at the time (pre-Internet times of the early 1990s) and making things ‘queer’. It was about how others reacted to making things ‘queer’, by birthday cards with half-naked men aimed at a female audience.
See Me: A Walk Through London's Gay Soho in 1994 and 2020
Director
This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other. It is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me’ that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994. The film also includes drawings and photographs and other artworks from my personal archive as an artist from the last 25 years. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed.
The Boy at the Window
Director
A short poetry film with poetry written and spoken by Lee Campbell that shares a personal experience, of Lee looking up at a window and seeing a boy looking out.
Wrong Kind of Fat: Some Bear over the Pain-Bow
Director
I’ve been told I am too slim to be a bear and too fat to be a cub. My frustration with labeling has led me to resist such discrimination, but I’m never going to escape these prejudices and pressures.
Let Rip: A Personal History of Seeing and Not Seeing
Director
Made with sound and moving image recordings using a Sony Ericsson Cybershoot K800i mobile phone between 2005-2006, drawings and paintings made between 2005-2007 and 2018-2019 and photographic stills and moving image recordings made between 2011-2019 on various iPhones, this film is set within the context of gay male adolescent reaching sexual maturity in 1990s British suburbia. It charts teenage-hood; discovering one’s sexuality in private, away from one’s parents.
Let Rip: The Beautiful Game
Director
Balls, sports, and men in shorts! A father and son reflect on a game that they remember quite differently. A highly experimental film focusing on the director's look back at time spent with his father while watching past sports matches, particularly those that illuminated the director's burgeoning sexuality.