Yannick Mosimann

출생 : 1989-09-22, Bern, Switzerland

약력

Yannick Mosimann, born 1989 in Bern, Switzerland, is a filmmaker, sound-artist and photographer. His body of work comprises several films and video Installations, as well as collaborative works as a filmmaker and musician with a diverse spread of artists. Together with Biel-based musician and vocal artist Rea Dubach, Mosimann co-founded the virtual exchange platform "YR" for film/music/photography/drawing works with the aim of creating fluid collaborative workflows between artists. Yannick Mosimanns work focuses on intuitive processes, sensorial experiences and the re-imagination of narratives. It deals with themes like the anthropocene, nature and human perception. Yannick lives and works in Bern. 2012-2015: Bachelor’s degree in Film, Lucerne University of the Arts (HSLU). 2019-2021: Master’s degree in Contemporary Arts Practice, Berne University of the Arts (HKB).

참여 작품

I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
Yannick Mosimann
The filmmaker captures his environment with the camera, fearing he might be losing it more and more. Strict rules about using the entire clip length and its original audio track inform the editing process. The tableaus and their insistence in duration create a pull into an increasingly isolated state of perceiving the outside world in its unspectacular yet strangely unfamiliar intensity.
I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
Editor
The filmmaker captures his environment with the camera, fearing he might be losing it more and more. Strict rules about using the entire clip length and its original audio track inform the editing process. The tableaus and their insistence in duration create a pull into an increasingly isolated state of perceiving the outside world in its unspectacular yet strangely unfamiliar intensity.
I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
Director of Photography
The filmmaker captures his environment with the camera, fearing he might be losing it more and more. Strict rules about using the entire clip length and its original audio track inform the editing process. The tableaus and their insistence in duration create a pull into an increasingly isolated state of perceiving the outside world in its unspectacular yet strangely unfamiliar intensity.
I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
I HAVE NOT BEEN AFRAID OF GOING BLIND FOR A LONG TIME
Director
The filmmaker captures his environment with the camera, fearing he might be losing it more and more. Strict rules about using the entire clip length and its original audio track inform the editing process. The tableaus and their insistence in duration create a pull into an increasingly isolated state of perceiving the outside world in its unspectacular yet strangely unfamiliar intensity.
Piz Regolith
Piz Regolith
Director
A postmodern Swiss-Tyrolean ensemble ventures into remote mountainous regions, embracing the sonorous variety of local vernaculars. A poetic road movie with stunning shots and an emphatic approach to a new alpine aesthetics.
Nature.Meadow.Sky.Long Shot
Nature.Meadow.Sky.Long Shot
Director of Photography
The defective 16mm footage in Yannick Mosimann's "Nature.Meadow.Sky.Long Shot" gives rise to eerie, abstracted images, while descriptions of those images through voiceover and onscreen text create a potent gap between what we are watching and what we’re being told is there.
Nature.Meadow.Sky.Long Shot
Nature.Meadow.Sky.Long Shot
Director
The defective 16mm footage in Yannick Mosimann's "Nature.Meadow.Sky.Long Shot" gives rise to eerie, abstracted images, while descriptions of those images through voiceover and onscreen text create a potent gap between what we are watching and what we’re being told is there.
Our Ears have been in excellent condition
Our Ears have been in excellent condition
Director of Photography
"Our Ears Are In Excellent Condition" is a live concert film with a focus on the experience of listening.
Our Ears have been in excellent condition
Our Ears have been in excellent condition
Director
"Our Ears Are In Excellent Condition" is a live concert film with a focus on the experience of listening.
Notes of Forms
Notes of Forms
Director
How can the complex narrative of experience be understood as a coherent whole through the collection of states and thoughts? Since 2016, YR has dedicated itself to the ongoing exchange of its creative processes and focuses on the conscious abolition of any type of judgement. YR uses real life experiences and observations as its basic materials – what emerges is a growing collection of inner and outer realities by way of image, sound and text. The artists see themselves as storytellers who observe and question, document and recycle. This continuum can be understood as a sketchbook without a fixed vision. «notes of forms I» is the first audio-visual collection (journal movie) outside their ongoing blog work, in which YR exclusively uses materials from its artistic processes between January and March 2021
Notes of Forms
Notes of Forms
Yannick Mosimann
How can the complex narrative of experience be understood as a coherent whole through the collection of states and thoughts? Since 2016, YR has dedicated itself to the ongoing exchange of its creative processes and focuses on the conscious abolition of any type of judgement. YR uses real life experiences and observations as its basic materials – what emerges is a growing collection of inner and outer realities by way of image, sound and text. The artists see themselves as storytellers who observe and question, document and recycle. This continuum can be understood as a sketchbook without a fixed vision. «notes of forms I» is the first audio-visual collection (journal movie) outside their ongoing blog work, in which YR exclusively uses materials from its artistic processes between January and March 2021
Diaphone Island
Diaphone Island
Director
A recurring drone changes and reshapes the land and sea.
Sunspots
Sunspots
Director
In SUNSPOTS, several 16mm shots of the sun are layered and superimposed, paired with a soundscape consisting of volcanos, fire, plastic and the audible solar sounds recorded by the Solar and Heliospheric Observatory (SOHO).
How i disappeared
How i disappeared
Director
Borametz
Borametz
Director