Cinematography
A thespian rehearses a Sanskrit play from 2nd century CE. The footage is robbed of sound. The inter-titles try to tell the story.
Cinematography
When a gallery of paintings becomes emptied of its spectators, the curtains raise within the paintings.
Cinematography
Professor B.N. Goswamy travels back along the path of some forty years’ research on the 18th century Indian master-painter Nainsukh. Field-Trip follows the scholar in the lower western Himalayas as he tracks down contemporary vestiges of Nainsukh’s lineage.
Cinematography
Amit Dutta recorded several conversations with Prof. B.N. Goswamy, an important art historian of India, covering his entire body of work. Interspersed with his talks were also some silences. This film draws upon some of those moments of silence and weaves them into a web of ideas and images that fill the art-historian’s mindscape.
Assistant Director
Two travelers are in search of a flying-craft, which they believe could possibly take them to the ultimate escape from the cycle of births. On their way they record their memories, dreams and fears on a sound-recorder and in a notebook.
Production Design
Two travelers are in search of a flying-craft, which they believe could possibly take them to the ultimate escape from the cycle of births. On their way they record their memories, dreams and fears on a sound-recorder and in a notebook.
