Thirty-seven men from the disputed territory of South West Africa are on trial for their lives in Pretoria, 1,000 miles from their home. They are to be tried under South Africa's Terrorism Act despite the UN ruling that South Africa must abandon its 'illegal administration' of their country.
Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.
