Harvey Pekar

David, a struggling comic book creator from Cleveland, spends his days cutting grass and his nights smoking it while desperately trying to keep his superhero fantasies alive. When Robyn, his aspiring fashion-designer girlfriend, makes him a Halloween costume of his original character Apama, it doesn't take David long to hit the streets and begin blundering towards disaster. This comic book Don Quixote is characterized by surreal flourishes, mixing dream, fantasy, and flashbacks that borrow as much from the art house as the comic shop. A midnight movie for superhero fans.

Curmudgeon. Contrarian. Misanthrope. Naysayer. For all the people interviewed in this film, someone has used one of the above words to describe them. What have they done to deserve such labels? Everywhere these men and women go, something is being celebrated; they don’t get what all the celebration is about and they’re compelled to question it.

"평범한 삶은 꽤 복잡한 일이다" 라고 한 진실한 미국인 하비 페커는 말한다. 클리블랜드 태생으로 병원에서 서류 정리를 하는 페커는 예측불허인 삶의 면면들을 관찰해 낸다. 또, 실재하는 코믹북 작가이면서 다루기 힘든 시인인 그는 철학가, 재즈 애호가, 강박적인 수집가인 동시에 형편없는 살림꾼인 자신의 일상을 시로 써낸다.

"평범한 삶은 꽤 복잡한 일이다" 라고 한 진실한 미국인 하비 페커는 말한다. 클리블랜드 태생으로 병원에서 서류 정리를 하는 페커는 예측불허인 삶의 면면들을 관찰해 낸다. 또, 실재하는 코믹북 작가이면서 다루기 힘든 시인인 그는 철학가, 재즈 애호가, 강박적인 수집가인 동시에 형편없는 살림꾼인 자신의 일상을 시로 써낸다.

Toronto filmmaker Alan Zweig analyzes the phenomenon of record collecting.

In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisner's "Spirit". It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the medium's creative freedom, we also explore EC's defiant survival with the creation of the singular "Mad Magazine" by Harvey Kurtzman.