Julius von Borsody

A film comedy about two beautiful women, two marry-able girls and a man!

Although she is known as a patron of the arts, a graceful duchess nevertheless refuses her nephew to marry an enterprising actress in this German melodrama starring Kathe Dorsch and silent screen legend Henny Porten. When Philine (Hilde Krahl), the troupe's ingénue, is rejected as proper marital material by the Duchess of Weissenfels (Porten), Karoline Neuber (Dorsch) creates such a furor that she is banished from the country. A performance at the court at St. Petersburg also ends in disaster for the unhappy actress and abandoned by all, Karoline dies a suicide.

1936 Austrian film.

Gusti Aigner and Franz Lenhardt are in love, but composer Lenhardt is too shy and bashful to go out and sell his compositions to music publishers. Gusti takes the burden on herself; and while there are complications and humorous situations she runs into.

Im weißen Rößl (English title: White Horse Inn or The White Horse Inn) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests.

A famous racing driver must give up his sport and take over the management of the porcelain factory on incentive of the vigorous grandmother as the last shoot of an old businessman's family. Unrecognized he is regulated as a worker what a love story with a 20-year-old worker arises from, who leads after incidents in the happy end. - After Franz Lehar's operetta produced comedy

Czechoslovakian opera star Jarmila Novotna plays the title role in the Austrian tunefest Frasquita. Based on a Franz Lehar operetta, the story is the usual frothy nonsense. Dolly (Charlotte Daudert) is engaged to marry Hyppolit (Heinz Ruhmann), but she's really in love with Harold (Hans Heinz-Bollman). Hyppolit is likewise enamored of another, namely Frasquita (Jarmila Novotna). Alas, Dolly and Hyppolit must go through with the wedding, despite the dictates of their hearts. That there's a happy ending all the same comes as a surprise only to the characters on the screen.

When Albers takes his drug-addicted opera star sister Gerda to a sanitarium, they both become targets of slimy dope peddler Peter Lorre, who fears that Gerda will blow the whistle on him. Lorre kidnaps the woman, leading Albers on a frantic chase.

A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.

Leopold Pichler is a very orderly and trustworthy chief cashier who is asked by his boss to get a large sum of money from the bank which the boss urgently needs on a trip to Vienna. Due to some circumstances, getting the money takes a little longer than expected and the director leaves for Vienna without it. But Pichler sees himself as a reliable man, and so he and his assistant Wittek follow the director to Vienna with the money kept in a bag. In Vienna, the two provincials however are mistaken for guests of the director and spend an evening at a posh night club. But when it transpires that the director actually won't come to the night club that evening, Pichler and Wittek have to pay the bill with the money from the bank. And their subsequent attempts at reimbursing the money lead to situations of ever-increasing hilariousness...

Meine Kusine aus Warschau (My Cousin From Warsaw) was based on a stage play by Louis Verneuil. It's a romantic farce, with the heroine posing as her own cousin to carry on two amours at once.

Lighthouse keeper Uwe Bull lives with his wife Hanne and the silent assistant Jens in a secluded, small world. When the only survivor from a shipwreck, young Margot from Reeperbahn, is washed up on the island, Uwe's feelings arouses. But dark clouds appear in the sky.

Andrea, a beautiful daughter of a railway gateman, is seduced by a rich passenger, who missed his train. Left pregnant, Andrea marries another man and moves to Prague, only to encounter her former lover and recover her former lust.

Young Veronika travels from her Tyrolean village to her aunt’s Viennese apartment for her confirmation. The aunt’s flighty nature and her profession as a prostitute leave her niece in the company of men who assume she is just another new girl on offer.

In the Republic of Utopia, because of the bad economic crisis ailing the nation, the Jews are made the scapegoats for the economic and social ills affecting the population; therefore, the government decides to expel them. Leo Strakosch is among the exiled. He is engaged to Counsellor's Linder's daughter. He gets into the Republic, in a clandestine way, to show to the society the wrongness of their anti-semitic prejudice. Bettauer's novel differs essentially from the film version. "Vienna" was named "Utopia". Even a happy ending was provided.

At the urging of his dying aunt, a young man of limited means forgoes marriage into comfortable society. He becomes husband to an unwed mother and father to a child. Their meager existence is threatened, however, when the woman he left at the altar reenters his life.

Patriotic Austrian costume drama, about the martyr Medardus who opposed Napoleon's occupation of Vienna in 1809. The plot proceeds in a series of confrontations with Medardus, his mother and sister, the blind exiled Count of Valois, his ambitious daughter, and Napoleon himself (portrayed as a cool strategist), including several brief flashbacks.

Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost driving her fiancee to suicide and seducing his mentally-ill son, she realizes through a metaphorical dream the scope of her negligence. Sentenced to prison for incitement to murder Harber, she sees herself as a parallel figure to Lea, Lot's wife in Sodom, where the Angel of the Lord warns the sinful citizens of the city of their impending doom. Lea oppresses the angel and eventually turns it over to the pagan priests when her sexual advances to it are rejected. In another dream sequence, Mary becomes the Queen of Syria, whose oppressed people turn against her and who, in turn, condemns a young man who loves her to death. Finally, her dream returns to the present time and when she awakens, she runs back to her former lover.

Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost driving her fiancee to suicide and seducing his mentally-ill son, she realizes through a metaphorical dream the scope of her negligence. Sentenced to prison for incitement to murder Harber, she sees herself as a parallel figure to Lea, Lot's wife in Sodom, where the Angel of the Lord warns the sinful citizens of the city of their impending doom. Lea oppresses the angel and eventually turns it over to the pagan priests when her sexual advances to it are rejected. In another dream sequence, Mary becomes the Queen of Syria, whose oppressed people turn against her and who, in turn, condemns a young man who loves her to death. Finally, her dream returns to the present time and when she awakens, she runs back to her former lover.

A young poor girl falls in love with a rich heir.