When a Parisian filmmaker begins work on a new movie about polyamory, she gets lost between fiction and reality, risking both her art and her relationships. As a combination of fiction and documentary, the film could be classified as a ‘UMO’: Unidentified Movie Object! On the one hand: a comedy about a female director who plays with fire by testing out polyamory on her own relationship. On the other hand: a serious, poised, and thought-through documentary with speakers who have reflected on the topic or who live it everyday. Between the two, a grey area in which fiction gets entangled with reality. Will her sweetheart rise up to the challenge of polyamory? Will she finish her film?
Director
When a Parisian filmmaker begins work on a new movie about polyamory, she gets lost between fiction and reality, risking both her art and her relationships. As a combination of fiction and documentary, the film could be classified as a ‘UMO’: Unidentified Movie Object! On the one hand: a comedy about a female director who plays with fire by testing out polyamory on her own relationship. On the other hand: a serious, poised, and thought-through documentary with speakers who have reflected on the topic or who live it everyday. Between the two, a grey area in which fiction gets entangled with reality. Will her sweetheart rise up to the challenge of polyamory? Will she finish her film?
Writer
A beautiful, self-centered young woman's life turns upside down when she suddenly "loses her clitoris" (i.e. her ability to have an orgasm).
Director
A beautiful, self-centered young woman's life turns upside down when she suddenly "loses her clitoris" (i.e. her ability to have an orgasm).
Screenplay
샤샤는 10달된 딸과 함께 한적한 휴양지 이유(Yeu)섬에서 휴가를 보내고 있다. 업무에 바쁜 남편이 파리에서 돌아오기를 기다리며 무료한 날들을 보내던 어느 날, 타티아나라는 낯선 배낭족이 찾아와 마당에 야영할 수 있게 해달라고 부탁을 한다. 음산한 분위기를 풍기는 그녀를 보고 처음에 꺼리던 샤샤는 어린딸과 홀로 휴가를 보내는게 못내 외로워 이 여인을 맞아들인다. 타니아나를 저녁식사에 초대하는 등 호의를 베푸는 샤샤는 온몸에서 사악하고 예전의 모습을 발견하고 매력을 느끼게 된다. 이제 그녀는 다가올 위험을 감지하지 못한채 타티아나의 사악한 게임에 빠져들게 되는데…
