Renato Tonini

To avenge his father's death and free the people of Seriphos from the evil King Galinor of Argus, the noble Perseus must defeat a dragon -- and the monster Medusa, whose steely gaze has cast the kingdom's best soldiers into stone.

Two brothers, Bull and Jonathan Bullivan, witness the murder of bandit Black Boy who had been terrorizing Golden City. The bandit had been put in place by the city mayor, who wants the local residents to leave so that he can keep their land, where there is oil. The two brothers eat a chicken that has been fed with a strong tonic and they become sort of invincible for a few minutes. The mayor, pressured by the villagers, appoints the Bullivan Brothers as sheriffs and tasks them with the arrest of Black Boy.

Pablo, Domingo and Jose, three idiots, gunmen exchanged for large liberate a village in the republic of "Nonduras" from the oppression of dictator Bonarios. Parody of The Magnificent Seven, five writers got together for an anemic script that exploits a repertoire mixture with the song "A man alive"by Gino Paoli.

After their boss' death, two clerks eagerly await the arrival of the next one, each one of them hoping to become the apple of his eye. They compete in every possible way to impress him, which causes lots of trouble and many misunderstandings.

Two conmen, Alamo and Mike, find shelter in Paradise City, which is full of jokers like themselves, who assume them to be lawmen and are almost hanged.

Messalina was the Roman noblewoman who inveigled ageing emperor Claudio into marriage. Once ensconced on the throne, Messalina launched a reign of terror that shook the empire to its very foundations. The subject of countless film treatments, Rome's most villified empress is herein played by British actress Belinda Lee.

Nicola Peccoli has always nurtured his niece Giovanna, an orphan since the age of two and now of age, but he does not look favorably on her beloved Mario because he is just a simple employee and a lower class of society.

Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.

Polish countess Lady Eva is the authoritative signature of the correspondence of an Italian women's magazine; behind the fascinating name hides a Roman girl whose advice will create a series of tangled and comic situations.