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"Ceija Stojka" is a portrait of 64-year-old Austrian Rom Ceija Stojka, who, after a nomadic childhood, settled in Vienna many years ago. In the recent past, Ceija Stojka’s fame as an author, painter and singer has spread outside Austria. She represents the opening of Rom and Sinti society to the world of the "gadje." This process and all the difficulties it involves is unique in the history of the Rom in Central Europe. The central theme of this documentary is the fusion of two extremely different worlds in this fascinating woman. Beginning with Ceija Stojka’s present life, her biography is reconstructed in this film portrait. At the same time, a critical chronology of images portrays the common associations with the "gypsy," examples of which pervade Ceija Stojka’s life. A comprehensive consideration of the gypsy’s image, from romanticized projections to images of exclusion, discrimination and destruction, and finally the present ambivalent relationship between Rom and non-Rom.
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Some people only become visible once they have disappeared. Deleted files. Their shadows become more real than they ever were themselves. A computer thriller.
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Documentary about a small town in Austria.
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When the busses left, the nurse said to the children, 'Today you have to pray a lot, because today you go up the chimney and meet the good Lord.' The children of the area knew these vehicles and said, 'Look, there is another one of these killer busses.' And they said to one another, ' You are not very clever, you, too, are going to end up in the oven in Hartheim, you, too, will be hung up in the chimney.' Hartheim Castle near Linz was one of several places of destruction of 'unworthy life' within the framework of the euthanasia program of National Socialism. Over 30,000 mentally or physically handicapped, psychiatric patients and inmates of concentration camps were gassed in Hartheim between 1940 and 1945. Today Hartheim Castle is rented and inhabited. In a place where 40 years ago thousands if lives were destroyed by industrial methods, today life asserts itself in the trite daily function of living. The documentation is about Hartheim Castle, in the past and in the present.