Jana Brejchová

Marcela can't bear Jarda any longer, so she threatens divorce and takes the kids to her mom's, whose husband is a creep. While Marcela is there, Jarda is jailed, because he is part of a gang steeling cars and they get caught in the act. Benes, the urbane man whose car got stolen by Jarda and his gang, befriends Marcela. Soon she feels drawn to Benes and all of a sudden she must make up her mind: Jarda is still sexually attractive to her, but Benes offers security, and her own body and mind may not pull at the same strand.

A sad story about a young girl who is forced to move from one foster home to another.

An overprotective mother plagues her daughter out of guilt over unintentionally scarring her daughter's cheek.

This film is a psychological study of a woman who chooses solitude as an escape from the duplicity and emotional barrenness of the men around her.

A communist journalist from Prague is sent to Ravensbruck concentration camp.

Drama set on an isolated farm on the Czech-Polish border immediately after the end of WWII.

A psychological drama exploring the notion of the doctor as a moral authority, who within the framework of their everyday work must face questions of life and death. The film is adapted from a novel by Valja Stýblová, in which the author draws upon her personal experiences as a former neurosurgeon. The protagonist of this drama is an ageing professor, based at a Prague neurological clinic, who is haunted by issues concerning his own principles and values, and also by the case of a young patient, Víťa, afflicted with an inoperable tumour.

A divorced woman tries to restart her life.

Third part of the trilogy. Vaska again is visiting his grandfather living in Bohemian Forest and understands the importance of guarding nature.

A twelve-year-old is looking for his biological parents after discovering the fact that he was adopted.

Second part of the trilogy. Vasek is expected to go to Bulgaria for a holiday with his parents during the summer vacation, but the boy finds the prospect of spending the summer with his gamekeeper grandfather far more tempting than the seaside. On the last day of school Vasek picks up his final report, but after that he takes his already packed bag and sets off for the Bohemian Forest without telling his parents. The grandfather is happy to have his grandson at his side again. In the evening, he gets a phone call from Vasek's mother. The trip to Bulgaria has been postponed and Vasek can stay with his grandfather for the time being.

Good-looking Edita Beningerová (Jana Brejchová) arrives at a chemical factory in the North Bohemian town of Ústí nad Labem together with her young assistant Nada (Zlata Adamovská). She is hoping that her ex-husband, outstanding practical chemical engineer Vik Panc (Eduard Cupák), will help her conduct an experiment to validate her proposed theoretical method of isolating cholesterol from lanolin. The success of Edita's invention is crucial for her career at the Prague Institute of Chemistry. Vik's roommate from his hostel Bréta (Ivan Vyskocil) is thrilled. He will finally meet the mysterious and fascinating Edita about whom he has learned so much from Vik.

미녀와 야수 스토리에 기반한 체코슬로바키아 버전의 다크 판타지 공포 영화

The gamekeeper Straka lives by himself in the Bohemian forest hill. He has quarreled with his only son. He cannot come to terms with the fact that his son has abandoned his beloved forests and settled in a town. He has never even met his grandson Vasek. Following an illness, however, little Vasek needs some country air, and so one day his mother Jarmila delivers him to her father-in-law's cottage. At first Straka is angry, but Vasek is an unaffected lad and throws himself with verve into all the little adventures that the forest provides.

A retro '70s vision of the future, IN THE DUST OF THE STARS was made by the DEFA film studio. A radio signal attracts a team of astronauts to a mysterious planet. Once there, they are warmly welcomed by an alien race, but are soon suspicious of what is really occurring on this strange land.

Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.

No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

A romantic story of a young nobleman who sees a beautiful girl at the carnival who seems familiar to him. He feels that he saw her in an old castle, where only the old countess and sister live. It is precisely in their salon in the city that she meets the girl again and learns her history

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

This futuristic science fiction comedy features an atomic bomb blast that causes women to grow beards and lose the ability to have children. A summit meeting is held at the United Nations, with the proposed solution of building a time machine. The decision is made to travel back in time and murder Einstein, with the hopeful result being that without the noted mathematician's research there will be no atomic bombs.

A young woman from an old patrician family in Prague collapses and is institutionalized in a psychic ward. The non-linear narration unveils here fortunes one by one. The prose of Jakub Arbes is the basis for this experimental film poem. The storyline is uncovered in a mosaic of pictures in a purely visual form, without a single word.

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

A dark fable set in an early 1950s Czech village, a time of Soviet-style socialism which saw the implementation of collectivized agriculture and the mass closure of monasteries and convents.

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.

Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.

Michal's father and his friends are stigmatized by their war experience and the post-war social deformations in which they took part either directly, or watched them cowardly and in silence. They are trying to repress their feelings of guilt and justify their behavior to the young generation with memories of their heroic war feats. Michal, however, does not want to have anything to do with their problems. He subconsciously perceives the unpleasant atmosphere in the family as well as his father's hypocrisy. After one of many quarrels with his father, he runs away from home, determined to go his own way.

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

This castle has its own ghost - a mysterious White lady. She emerges from the painting on the wall when someone speaks out magic formula. White lady is good ghost, she can make someone's wishes true. Even if it is a new duct. But a miracle is not the thing that Communist leaders want in the town.

B 501, a newly developed controller for missiles, has disappeared despite the strict surveillance. Phillippe Tissout is sent by his boss to Paris to take over the case.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

A passionate communist worker is discouraged by the changing political climate and the failure of his peers to live up to his ideals.

Young lovers Kurt and Lydia spend their first vacation together in Sweden at the picturesque Gripsholm Castle. They enjoy their happy days outdoors and in the nature far away from all everyday troubles and have fun with Kurt′s old friend Karl who comes to visit them in their holiday home. But when Lydia′s beautiful friend Billie also joins them shortly after, Lydia senses that Kurt seems to be falling in love with Billie.

역사상 가장 황당무계한 허풍선이 남작의 모험 이야기. 허풍선이 남작은 달에 표류된 우주인을 외계인으로 착각하고 그와 함께 신비한 지구 모험을 시작한다. 해마를 타고 터키 제국의 군대를 무찌르고 물고기 뱃속에 갇혔다 빠져 나오는 등 모험의 시대를 배경으로 신화와 전설이 어우러져 종횡무진 활약하는 뮌히하우젠 남작의 이야기가 펼쳐진다. 카렐 제만의 은 40년이 지난 후에도 허풍선이 남작에 관한 여러 영화들 중 가장 좋은 평을 받고 있다. 프랑스의 화가 겸 그래픽 아티스트인 구스타프 도르 (Gustav Dore) 의 영향을 받아 제작된 드로잉과 컷아웃 제작 기법과 어우러진 라이브 액션으로 보여지는 카렐 제만 특유의 신비하고 이국적인 스타일에 빠져든다. 1962 스위스 로카르노 영화제 2위 수상, 1962 모스크바 UNIATEC 국제 협회 기술상 수상.

Jirka is a composer, his wife, Jana, a pianist. Jana would like to have an own concert, but so far she has only been selected to accompany Valenta during his concerts in Budapest. After some resentments, she accepts the proposal.

An American military plane takes six people, who have taken part in a NATO maneuver, from Tripoli to Oslo. Among them are the British Captain Loy and the United States Air Force Corporal Doris Graves. During the flight, the two become closer, and they regret that the trip will end that evening. But everything turns out differently. The flight captain has received orders to pick up an agent at a German NATO airport, who is to be dropped off again on a Soviet island …

During the Nazi occupation of a Czech city civilians are being rounded up on the slightest of pretexts and shot. One day three high school boys who crack jokes about a recently deceased "hero of the Reich" are pulled out of school by the Gestapo.

May 1945. On the outskirts of Prague, ordinary people meet Soviet soldiers-liberators with tears of joy in their eyes. In the early days of the lull, someone sadly recalls a pre-war life; someone unexpectedly meets his love; someone is returning from enemy dungeons looking hopefully into the future; and someone, having moved from a tank into a Czech tram, warmly recalls his craft as a car driver... These days, all those who survived the Great War fire swear an oath to keep peace on Earth forever, honoring the memory of those who gave their lives for simple human happiness.

A poignant overview of how short life can be, this interesting drama from Czech director Vojetch Jasny is divided into four separate segments. In the first skit, a young child's impressions are observed as his newborn baby sister becomes a part of the family. In the second, a young woman falls in love for the first time one summer, and in the third, a tough, older peasant woman battles against the farming cooperatives. Finally, in the last segment, everything comes full circle as a woman who is about to become a grandmother dies while her daughter-in-law has not yet given birth.

The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive -- and much older -- woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.

A young, unmarried woman finds herself a "little bit pregnant" and she tries to hide this fact from her mother but it isn't long before the truth is obvious.

Explores young adults' fears of being conscripted by the communist government into working outside of Prague, a relative oasis of creativity and freedom of thought. From an early script by Milos Forman.