Katherine Jamieson

With a forensic lens, Onyeka Igwe's A So-Called Archive interrogate the decomposing repositories of Empire. Blending footage shot over the past year in two separate colonial archive buildings - one in Lagos, Nigeria, and the other in Bristol, United Kingdom - this double portrait considers the 'sonic shadows' that colonial images continue to generate, despite the disintegration of the memory and their materials. It mixes the genres of the radio play, the corporate video tour and detective noir, with a haunting and critical approach to the horror of discovery.

A British Nigerian family, fragmented by their personal struggles tries to come to terms with their youngest daughter's mutism.

Set in a London gentleman's outfitters in 1976, and taking inspiration from the emotions aroused by a fetishist love of corduroy, leather and tight trousers, two men enter Sir John's Trouser Bar but little do they know the sexual adventures that await them inside.