Production Design
Production Design
Art Direction
Bielecki (Gregori Chmara) becomes determined to become a famous writer, but the means he employs in achieving his goal are far from ethical. Bielecki discourages his friend Jerzy Gorski (Artur Socha) by telling him his new work is rather poor, driving him into despair. But Bielecki is such a good friend that he even provides Gorski with the morphine so he can overdose too. With Gorski out of the way, Bielecki can now peddle his friend's book as his own. However, it doesn't take long for Bielecki's evil ways to catch up to him.
Production Design
Bielecki (Gregori Chmara) becomes determined to become a famous writer, but the means he employs in achieving his goal are far from ethical. Bielecki discourages his friend Jerzy Gorski (Artur Socha) by telling him his new work is rather poor, driving him into despair. But Bielecki is such a good friend that he even provides Gorski with the morphine so he can overdose too. With Gorski out of the way, Bielecki can now peddle his friend's book as his own. However, it doesn't take long for Bielecki's evil ways to catch up to him.
Production Design
Directed by Henryk Szaro.
Art Direction
Art Direction
Art Direction
The story: While her husband is becoming famous in the war, the marshal of Werdenberg's wife consoles herself in the arms of the youngster Octavian and tries to arrange the love affairs of her cousin, the baron Ochs, by presenting him to young Sophie. This baron is taken with her and the Marschallin proposes Octavian to be his "Rosenkavalier" in order to present the traditional silver rose to his fiancée. But youngsters are youngsters and sex hormones hold sway over the whole world so for that reason immediately Octavian and Sophie fall in love with each other…
Art Direction
피아니스트 파울 올락은 끔찍한 열차 사고로 양손을 잃는다. 다행히 파울은 손 이식 수술을 받지만 손의 원래 주인이 최근 사형당한 살인자라는 사실을 알게 된다. 파울은 살인자의 악한 마음이 자신에게 영향을 미친다는 강박에 시달린다. 독일 표현주의의 대표작 을 연출했던 로베르트 비네의 의학 SF. 당대 심리학의 중요한 문제였던 ‘몸과 마음은 하나인가’라는 질문을 던지는 동시에 과학 기술의 가능성과 위험성을 함께 고민하는 작품. 2013년에 새롭게 복원된 버전으로 상영한다. (2019년 한국시네마테크협의회 - 독일 SF 특별전 - 미래는 어떻게 만들어지는가?)
Art Direction
Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost driving her fiancee to suicide and seducing his mentally-ill son, she realizes through a metaphorical dream the scope of her negligence. Sentenced to prison for incitement to murder Harber, she sees herself as a parallel figure to Lea, Lot's wife in Sodom, where the Angel of the Lord warns the sinful citizens of the city of their impending doom. Lea oppresses the angel and eventually turns it over to the pagan priests when her sexual advances to it are rejected. In another dream sequence, Mary becomes the Queen of Syria, whose oppressed people turn against her and who, in turn, condemns a young man who loves her to death. Finally, her dream returns to the present time and when she awakens, she runs back to her former lover.
