Claudio Aguilar

참여 작품

Notes for a Film
Editor
Belgian civil engineer Gustave Verniory still had a lot to learn when in 1889 he was hired to construct a railroad across the unspoiled natural landscape of Araucanía, a region that had recently become part of Chile. The tumultuous past and the ever-changing landscape are a constant background presence in Notes for a Film.
Las Veletas
Colorist
Celina, a homeless and rootless woman, wanders around stealing objects, only to have something of her own that is still alien. Through the objects she steals, she establishes magical links with other characters, becoming involved in parallel stories from which she cannot escape.
나는 결코 프로빈시아에 오른 적이 없다
Colorist
정체를 알 수 없는 한 노부부가 매일 가방을 들고 교차로를 지난다. 감독은 그들에 대한 호기심으로 안데스 산맥의 프로빈시아 산이 보이는 사거리에 카메라를 설치한다. 카메라에 담긴 것은 몇 십 년간 붙박이처럼 있던 구멍가게들이 사라지고 대기업 체인과 높은 건물이 들어서며 변화하는 동네 풍경이다. 문득 감독은 집 안에 잠자고 있던 과거 기록을 찾기 시작한다. 언뜻 비서사적인 이미지의 나열로 보이는 이 영화는, 삶의 변하지 않는 가치에 대해 질문하며 관객 스스로 이미지의 맥락을 만드는 경험을 선사한다.
Enigma
Colorist
Ten years after her daughter was the victim of a hate crime, brutally beaten in the streets of Santiago for being a lesbian, Nancy is asked to participate in an unsolved mysteries TV show that will recreate the incident. Nancy, a hairdresser who has worked very hard to move on with her life, will have to decide if finding justice for her deceased daughter is worth exposing herself and her family on television.