Director
In "un viento roza tu puerta", tradition mixes with the songs and voices of the past and present, which begin to rise from the earth like little dusty reminders, speaking of a violence perhaps premonitory, perhaps forgotten.
Director of Photography
Dazed from a recent break-up, model Raul arrives late to a photoshoot, but photographer Mauri decides to let it off the hook. As time passes by Raul struggles to focus in front of the camera, rather seeking consolation in the photographer. Grief turns to rage turns to lust as emotions rise and develop between the ornate green walls of the room. When one door is forced shut, another one is pushed open.
Cinematography
The film trilogy "Tetuan, Tetuán, Tetwan" deals with the traces that the colonial past in Morocco has left in Spanish society through an experimental collaborative methodology. It examines cultural production, public space and the collective imaginary through the prism of the ghost, understood as an echo of silenced voices and historical facts. Developed with Moroccan and Spanish cultural agents, the project explores narrative strategies to resignify places such as the Plaça Tetuan in Barcelona, the neighborhood of Tetuán de las Victorias in Madrid or the cinema “Español” in the proper city of Tetwan, Morroco.
First Assistant Camera
런던에서 패션디자인을 공부하던 레오는 아버지가 세상을 떠난 후 자신의 고향이자 괴짜 엄마 마리아가 사는 스페인 북서부의 항구도시 히혼으로 돌아온다. 경제 위기 이후 관광객이 감소하면서 쇠락의 길을 걷고 있는 도시에서의 삶은 녹록지 않다. (제26회 부산국제영화제)
Director of Photography
Atahualpa works on the construction of a road that will cross the Llanganates Mountain Range, where it is said that the treasure of Inca Atahualpa was hidden in 1533. One night, Atahualpa is the guide of an expedition that goes in search of the treasure at the beginning of the 20th century.
Cinematography
African fashion model Alexandra Cartier meets Jorge Luis Borges in a visionary hallucination. What does the famous Argentine modernist writer have to say about our contemporary ecological and pandemic problems?
Director of Photography
Three young friends of Moroccan origin travel on a lost island, sing, dance, and take us into the shelter of an uninhabited lighthouse. They discover this unknown land like the explorers in a tale of adventures. Following them around in this strange place, Julieta Juncadella carries us away, like a wave, in the movement of a fantasy film. – Elena López Riera
Editor
Camera Operator
Editor
Telma decides to travel to Galicia with the intention to give back Desiderio, her father's dog which she inherited after the recent dead of her father.
