Jacques Roman

Alice Tomaso gets out of jail, and goes looking for Léo and Julien, one of whom, it appears, is her father. On the way, she steals the wrong car - one belonging to the Russian mafia, and arrives at her destination with a gang of thugs out looking for her and the car.

1770년대 말의 프랑스. 곤궁한 소작인들의 삶을 걱정하는 지방귀족 말라부아는 늪지대의 불결한 환경 때문에 전염병이 퍼져 소작인들의 삶이 더욱 피폐해지자 늪지를 메우기로 하고, 궁의 도움을 얻기 위해 베르사유 궁으로 간다. 하지만 관리들이 한낱 촌뜨기 남작의 청을 들어줄 리 만무하다. 말라부아는 좌절하지만, 곧 그는 타고난 재치와 세련된 화법으로 사교계의 관심을 받는다.

To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."

Victor Derval is returning home after a performance when he is hailed by Lisa, a young Hungarian woman. Her motives are mysterious; is she simply a star-struck peasant girl, or an ambitious, manipulative aspiring star?

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

자본주의를 경멸하는 레옹은 스위스의 로잔 지역에서 여러 일을 하며 살아가고 있다. 어느 날, 레옹은 레닌주의를 표방하는 급진적인 청년들을 만나고, 이중 레아에게 사랑의 감정을 느낀다. 하지만 폭력을 사용하는 혁명의 방법을 둘러싼 견해 차이로 동료들과 갈등을 빚는다. 1976년 로카르노영화제 황금표범상 수상.

An ode to liberated speech and to the power of words, "those one speaks to others, those one speaks in silence", Alain Tanner's third film is inspired by a poet and a poetic text which deeply affected him as a young director.