Pep Ferrer

A touching drama about a gay man who, following the death of his partner, moves into a nursing home.

편집증에 시달린다며 정신병원에 입원하는 사립 탐정. 사실 그녀의 목적은 다른 환자의 미스터리한 죽음을 파헤치는 것이다.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

Isabel suffers a disorder after learning that her husband, due to his immaturity, falls in love with a young teenager. She will try to get over it and with the little help of her daughter, a fanatical psychotherapist who only tortures her, she decides to start over and finally enjoy a new life. Something that will lead her to meet a true gentleman...

The end of the 14th century. Parents send the eldest son Jan to study in Hamburg, and the youngest - Klaus - to the monastery. No sooner had the children moved away from their homes, as on Klaus'es eyes the robbers kill their parents and burn the house. Only thanks to the loyal monk Wigbold Klaus managed to survive the shock. A few years later Klaus Störtebeker finds his brother Jan and his long-time friend Elizabeth Pren in Hamburg. From her, he learns that she is expected to marry Simon von Wallenrod, whose father Klaus suspects of killing his parents. But the Pranks and the Wallenrods are rich and respected people, and Klaus is a poor man. And now he becomes a pirate...

Claudia lives happily married with an architect and is part of a rich family of builders. In a children's party going on an apparently unrelated to it: a clown found hanged.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

A young, honest cop investigates the arrival of international crime in Barcelona just before the Olympic Games.