Sergey Mikhalchuk

Galya does not give a shit about the Great War of Russia against Ukraine. The war is a thousand kilometers away from her village, lost in the middle of the Ukrainian Carpathian Mountains. A small village, a tiny church, microscopic people with their huge problems.

Nina is a successful TV star, but her life changes when she is diagnosed with cancer. Facing a personal crisis, she has to confront her deepest fears.

There is a rumor in the Kyiv musical community: once upon a time, in private conversation, Queen Elizabeth II mentioned Valentyn Silvestrov as one of her favorite composers of the modern age. The Royal Press Office hasn’t confirmed it, so no one knows for sure. But the stature of Silvestrov justifies this rumor. Highly respected by the world’s best music professionals, he remains a mystery for a wide audience. The documentary is far from a traditional biopic about a prominent person. It is an observation, a confession and, most of all, a story of great talent set against the backdrop of uncertain times.

French monk Dominic is sent to Kyiv, pretending to be a photographer for a French fashion magazine. He has to make a photo inside Ukraine's oldest Cathedral. Dominic is accompanied by mysterious assistant, who in reality is the member of the French secret order, sent to Kyiv after news that one ancient artifact may be in danger...

Somnambulistic circus Ribera&Velazquez welcomes everyone to the show, where shadows, that escaped the platonic cave, turn the carousel in the foggy catacombs.

Alevtina Romanova is a warden in the woman's colony, and the only thing that is different from her «iron lady» image is her voice - a voice which even a notable opera diva would envy. However, Alevtina has been ashamed of her talent since the times she was a kid and nowadays, preliminarily making sure no one's around, she rarely sings for herself. Despite the fact that Alevtina is trying to stay invisible, one of the prisoners secretly records her singing on video by a cellphone and puts it online. The tape becomes a real sensation, and soon Alevtina is invited to Moscow to participate in the main singing show on national television. A sincere desire to change her life awakens inside Alevtina but she's not ready to compete in the show at all. The only person who could train her voice and prepare her for the performance is that very prisoner, who recorded the video, who turns out to be a singer in the past.

Young and extremely talented dancer Yulya Olshanskaya from a small mining town draws a “happy ticket”: she is noticed by a former ballet dancer Pototsky and he promises her a future of great ballerina, worthy of the main stage of the country. However, in order to become a diamond, anyone, even the most outstanding brilliant, needs to be cut, and the way to the legendary stage of The Bolshoi Theatre for Yulya lies through the walls of the ballet school, where the more capricious teacher Galina Mikhailovna Beletskaya takes custody of the rebellious provincial. Turning into a prima will require incredible self-denial, and Yulya herself will have to make sure that the big ballet is not only the whiteness of the packs, the gold of the boxes and the slip of silk ribbons. But no obstacles will stop the one who has the big dream.

러시아혁명 100주년인 2017년을 배경으로 푸틴식 전체주의가 만연한 러시아의 초상을 그리고 있다. 이 장엄한 부조리극은 블랙코미디와 잔혹드라마를 오가며 정형화된 형식을 거부한다.

American boy Peter and blind minstrel Ivan are thrown together by fate amidst the turbulent mid-30s Soviet Ukraine.

It's a story of one celebration day. How does the young generation experience it? What does it dream about, what it aspires and what it does to achieve it. Independence Day through the eyes of the young and forsaken population of Ukrainian residential districts. Tragicomic history of failing to realize their freedom against the degraded values of the previous generations.

Kir, Leya, Dasha and Max are student. Almost every experience is for a first time to them - first love, first disappointment, first betrayal...

Story of a successful businessman, who has to protect his business in difficult conditions. He gets entrapped into the net of law enforcement structures and after arrest the protagonist starts to notice weird things: some of his interlocutors appear to be not real persons, but phantoms, created by his consciousness. Fantomness, dematerialization of things that are obvious for common sense brings the author to the next stage of thinking - that the illusion of fear is also fruit of our imagination.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

A mother and her son Egor live in a certain city. They have a Secret: Egor's father is an alien. Egor inherited strange, literally inhuman abilities from his father. They manifest themselves only when the boy is next to the person he truly loves. No one, except his Mother, knew about these abilities until the grown-up Egor met Angela..

One day Pavel, a young man wounded in the war, suddenly shows up at the home of a Moscow scientist name Krymov and claims to be his illegitimate son. Krymov denies this, but out of compassion he helps arrange a necessary operation for Pavel. Then certain things begin happening which suggest to Krymov that he may have a psychologically unstable fellow on his hands.

Masculine and feminine, hard and soft, continuous and interrupted, whole and fragmented. All that is encompassed by just one day at the factory.

Mamay draws on traditional Ukranian and Tatar folktales for its Romeo and Juliet-like love story and parable about chivalry and the struggle for freedom. Hundreds of years ago, in the wild steppes of Crimea that form an uneasy border between East and West, Europe and Asia, nomad and farmer, the proud Cossack Mamay falls in love with the Tatar beauty Omai. The title, like the storyline, holds a variety of different meanings taken from different cultures. In Turkic languages, it means "no one," but it was also the name of a famous Mongol conqueror, the great grandson of Ghengis-Khan. In Persian legends, mamay literally means "the spirit of the steppes. "

This is a remarkably subtle film–a character study that focuses on Mitya’s attempts to cope with each new startling phase of discovery. At first he mourns for his dead wife, but then he discovers that he didn’t really know her.

In the early eighteenth century, foreign rule means dark times for the Hutsuls of the Carpathians. The two Dovbush brothers become opryshkos - mountain outlaws. But the two brothers become enemies - one cares only about money, the other - Oleksa - fights for his people. The Carpathians are convulsed with a wave of uprisings. The aristocracy uses its military might to try to kill Dovbush and destroy his legend. But Dovbush outwits them. The desperate lords devise a devious plan and attack the invincible outlaw's Achilles heel - his love for his childhood sweetheart, Marichka. Who will be the assassin to attack the Opryshko whose immense strength and bravery inspired folk tales? Will the lords' treacherous plan destroy the hero before he can lead his people to freedom?