Eileen Meyer

참여 작품

A Photographic Memory
Editor
A filmmaker ventures into the archives of her photographer mother to construct a personal story of love, loss, and finding someone in the work they leave behind.
The Disappearance of Shere Hite
Editor
Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear?
로드러너: 어 필름 어바웃 앤서니 보데인
Editor
An intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. This unflinching look at Anthony Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.
Television Event
Editor
An archive-based feature documentary viewing the dramatic climax of the Cold War through the lens of the ABC network, as it narrowly succeeds in producing the most watched, most controversial made-for-TV movie, THE DAY AFTER (1983). With irreverent humor and sobering apocalyptic vision, this film reveals how a commercial broadcaster seized a moment of unprecedented television viewership, made an emotional connection with an audience of over 100 million and forced an urgent conversation with the US President on how to collectively confront and resolve the most pressing issue of the time - nuclear proliferation.
크립 캠프: 장애는 없다
Editor
우리는 모두 평등하다. 행진하라. 장애를 가진 10대들이 여름 캠프에서 혁명을 일으킨다. 평화와 반전의 상징인 우드스톡 인근에서. 그날 이후, 아이들의 인생이 움직인다.
베스트 오브 에너미즈
Editor
1968년 미국 ABC에서 방영될 당시 선풍적인 눈길을 끌었던 민주당 지지자인 대표적인 정치논객이자 극작가인 고어 비달과 그의 보수적 맞수인 ‘내셔널 리뷰’의 발행인인 윌리암 F. 버클리 주니어 사이의 토론을 다룬다. 영화는 TV정치토론의 새로운 역사를 기술한 두 거장의 논쟁을 통해서 68년 미국 정치와 신에 대한 의미와 근원, 그리고 성혁명에 대한 그들의 적대적인 의견충돌과 함께 풍자적이면서도 감동적인 비하인드 스토리를 볼 수 있다.
Woman's Picture
Editor
Woman's Picture is an anthology film inspired by classic women's films of the thirties, forties, and fifties. The story is divided into three sections, each of which deals with its own specific female character. The segments function as parallel dimensions, exploring thematic connections between women whose immediate experiences seem very far removed from one another.