The new film by César González follows a maintenance employee at a printing house whose routine, almost as automatic as the movements of the company machines, is altered when she makes a decision that threatens both her job and her everyday life in the neighborhood.
Editor
The new film by César González follows a maintenance employee at a printing house whose routine, almost as automatic as the movements of the company machines, is altered when she makes a decision that threatens both her job and her everyday life in the neighborhood.
Sound
The new film by César González follows a maintenance employee at a printing house whose routine, almost as automatic as the movements of the company machines, is altered when she makes a decision that threatens both her job and her everyday life in the neighborhood.
Writer
The new film by César González follows a maintenance employee at a printing house whose routine, almost as automatic as the movements of the company machines, is altered when she makes a decision that threatens both her job and her everyday life in the neighborhood.
And what if I rejoice in my sadness? I confirm that this darkness is my true light. They don't let me take care of my loneliness. I got used to not having shade.
Writer
And what if I rejoice in my sadness? I confirm that this darkness is my true light. They don't let me take care of my loneliness. I got used to not having shade.
