Francesco Struffi

Francis, a forty year old engineer, after a mysterious disgrace he retired to live in a village on Lake Iseo. With still little daughter occupies the former family villa, a magnificent Art Nouveau building on the lake shore. In the big house there is, however, another mysterious person, of which only perceives the echo of the respirator that keeps her alive. But other presences no less disturbing, and certainly more dangerous, they move around the villa. What happened to the man and his family? What secrets hide? Marta will know, childhood friend always in love with him, awaken Francis from the torpor in which he has fallen, and free him from the pain? And most importantly, how many succeed they gravitate around the house to escape the danger that threatens their lives? Breaths tells how the pain can profoundly transform a man crushed by memories, guilt, fears. He also wants to show the extent to which an individual is able to accept the existence paths without being a victim.

Fausto and Furio are two Romans with a precarious lifestyle. Fausto squanders his winnings while Furio lives thanks to small jobs. The death of their parents will make them meet because they inherit a repair shop. After some hesitation, the two, helped by an engineer with a mysterious past, will take the business over, but they will have to face a mafia boss who wants 200,000 euros, a debt matured by their fathers. The two will try to find a solution through clandestine races, drug trafficking, truck hijackings and the shared love for a fascinating bartender.

An alcoholic spends all his time spying on his neighbor, waiting for the right moment to kill him.

A journey in the footsteps of the most famous initiate of Italian Trecento, the author of the celebrated "Divine Comedy". A poet who has inspired some of the most outstanding minds in History.

Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.

Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.