Production Coordinator
An animator dissects his own body, extracting memories, emotions and fears that will nurture his work. As he cuts into his skin, various symbolic objects recalling his past emerge. Reaching the heart, he succeeds in identifying the burden he’s been dying to cast off.
Production Coordinator
New York, 1905. Visionary inventor Nikola Tesla makes one last appeal to J.P. Morgan, his onetime benefactor.
Production Coordinator
From out of nowhere, the most beautiful girl in the world sits at the table across from me at the library. Is this a stroke of good luck or bad? Her smile paralyzes me… How will Sam win Nadine’s heart? Must he seek out his inner samurai to fight the monster of his anxiety? Real courage is conquering your fear.
Production Coordinator
그녀의 왼쪽 눈은 과거만 본다. 오른쪽은 오직 미래만 본다. 끔찍한 저주처럼 나눠진 바이샤의 시야는 그녀가 현재를 살 수 없게 한다. 과거로 눈 멀었고 미래로 괴로워하며, 그녀는 두 개의 양립할 수 없는 속계에 갇힌다. 사람들은 그녀를 ‘눈 먼 바이샤’라 불렀다. 안시2016 단편 심사위원상. (2016년 제18회 부천애니메이션페스티벌)
Production Coordinator
Filmmaker and comic strip artist Claude Cloutier has made a striking satire on big oil, a musical where cars sing and dance while the planet falls into despair.
Administration
An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.
Administrative Assistant
Exploration of the connections between sex, love and technology.
Administration
With its interplay of shadow and light, of paint in movement, BLUE LIKE A GUNSHOT is a work of great visual power. It is also a reflection on our world. In its evocation of the conflict between civilization and nature, the absurd vanity of human warfare contrasts with the harmony of the natural world.
