Stefan Kobe

A story about male hubris, repressed feelings, unconscious depression and the hard struggle for success in a capitalist world where fragility has no place.

기숙학교에서의 새 학기를 맞이한, 달라도 너무 다른, 팀, 쿠키, 칼, 개비. 같은 방을 쓰게 된 팀과 쿠키는 어느 날 쿠키의 아버지가 납치되자 사건을 같이 해결하기로 한다. 둘은 명석한 두뇌를 가진 칼과 형사 아버지를 가진, 조사하는 일에 능한 개비를 영입하여 팀을 꾸리고, 넷은 끈끈한 우정을 쌓으며 범죄 뒤에 숨은 음모를 캐기 시작한다. (2020년 제8회 서울구로국제어린이영화제)

Four very retired, ex-GDR spies, or "Kundschafter des Friedens" as they were officially named, led by the once legendary Jochen Falk, are called on by the German government. Their mission is to rescue the interim president of the divided Republic of Katschekistan, who has been kidnapped by separatists, along with Berlin's official man on the ground, Franz Kern. To keep Jochen and his maybe no longer so crack team under control, all of whom are determined to prove they were treated unfairly by history, they are put under the command of the young and enthusiastic BND agent Paula Kern.

Set in the Summer of 1988 and based on real events, the film tells the story of East-German twins Isabel and Doreen, two aspiring oarswomen, whose lives are changed dramatically during a training camp at Lake Balaton in Hungary. There, the girls make the acquaintance of West-German friends Arne and Nico. The holiday flirt soon turns serious when Doreen and Arne fall in love. As the end of their stay approaches, Arne asks the inseparable sisters to flee to the West with him…

Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.

Follows the lives of an unemployed drunk and his son as they struggle to adapt to each other.

The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”