Seemab Gul

참여 작품

Phantom Parrot
Co-Producer
The revelation of a top-secret British surveillance programme brings down the dominoes in a dark and analytical film about technology, rights and structural racism – and about a man with the courage to speak out.
How I Like It
Producer
In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
How I Like It
Editor
In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
Sandstorm
Editor
Zara, a schoolgirl in Karachi, shares a sensual dance video with her virtual boyfriend, who then blackmails her. Caught between his manipulative behaviour and the desire to experience love on her own terms, Zara searches for the strength to reject the confines of a patriarchal society.
Sandstorm
Screenplay
Zara, a schoolgirl in Karachi, shares a sensual dance video with her virtual boyfriend, who then blackmails her. Caught between his manipulative behaviour and the desire to experience love on her own terms, Zara searches for the strength to reject the confines of a patriarchal society.
Sandstorm
Director
Zara, a schoolgirl in Karachi, shares a sensual dance video with her virtual boyfriend, who then blackmails her. Caught between his manipulative behaviour and the desire to experience love on her own terms, Zara searches for the strength to reject the confines of a patriarchal society.
John Meyer Ward
Producer
Trail of the Spider
Prop Maker
Trail of the Spider transposes Western genre motifs and the suppressed racial history of the American west (where one in three cowboys were black or Mexican) onto the transforming landscape of East London. Questioning and re-imagining the Western’s portrayal of the “Vanishing Frontier” , the film extends the metaphor to the material and psychological conditions of a present day city increasingly dominated by volatile financial speculations and private interests.