Gabriel Bendahan

참여 작품

We Dream of Robots
Director of Photography
In small towns of Uruguay, a small revolution is changing the lives of an increasingly large group of young people: the unstoppable expansion of robotics, a phenomenon that awakens passions and levels of commitment that were previously only imaginable in football in this country. The film explores the ways in which the current rural generation investigates their place in the world, the future that awaits them and how to overcome prejudices to achieve it. As they conquer the world of robotics, with incredible determination and humility, they teach adults what the future is all about, how to achieve it, and why it is worth it.
Prisoner
Camera Operator
While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.
Prisoner
Director of Photography
While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.
A Bullet for Che
Director of Photography
Ethel is a 60-year-old psychoanalyst who chose to access documents declassified by the Uruguayan goverment to know the identity of the perpetrators of the death of her husband. His death occured on August 17th 1961 at a University ceremony where Che Guevara delivered one of his first speeches after the revolutionary triumph of the Cuban revolution. The bullet that killed a history teacher was considered a failed attack against Che Guevara planned by the CIA.
The Us of Back Then
Camera Operator
This documentary takes us back to the events surrounding 1958 when the University Organic Law was passed. We hear the testimony of three university teachers who took part in the debates and the student activism at that time: the experiences of people who were young “back then”, the cultural context of the period and the connection between the students and the worker's movement.
The Us of Back Then
Director of Photography
This documentary takes us back to the events surrounding 1958 when the University Organic Law was passed. We hear the testimony of three university teachers who took part in the debates and the student activism at that time: the experiences of people who were young “back then”, the cultural context of the period and the connection between the students and the worker's movement.
Growing Old Living
Camera Operator
To grow old in Rivera is to grow old on the border. The protagonists of this documentary tell us in Portuguese as well as in Spanish about their lives far from the bustle of the capital city. Their days are long, their work is hard, they have few opportunities to improve their situation, but they still haven't lost the ability to smile or their love of life. The aim of this documentary is to show what the process of growing old in Uruguay is like, and to raise people's awareness about the situation of the elderly. It shows, without prejudice, just what old age is.
Growing Old Living
Director of Photography
To grow old in Rivera is to grow old on the border. The protagonists of this documentary tell us in Portuguese as well as in Spanish about their lives far from the bustle of the capital city. Their days are long, their work is hard, they have few opportunities to improve their situation, but they still haven't lost the ability to smile or their love of life. The aim of this documentary is to show what the process of growing old in Uruguay is like, and to raise people's awareness about the situation of the elderly. It shows, without prejudice, just what old age is.
Carnaval in Baltasar Brum
Camera Operator
Baltasar Brum is a town of three thousand souls in the department of Artigas. In 1986 the train station was closed down and the community was in danger of disappearing altogether, but today it is still there and in fact it is growing. The local samba “schools”, which are similar to these organizations in Brazil except that they speak Spanish, tell the story of the town and its outstanding figures against a background of local and more universal events. The documentary shows how carnival is celebrated in this Uruguayan border town.
Carnaval in Baltasar Brum
Director of Photography
Baltasar Brum is a town of three thousand souls in the department of Artigas. In 1986 the train station was closed down and the community was in danger of disappearing altogether, but today it is still there and in fact it is growing. The local samba “schools”, which are similar to these organizations in Brazil except that they speak Spanish, tell the story of the town and its outstanding figures against a background of local and more universal events. The documentary shows how carnival is celebrated in this Uruguayan border town.