Jennifer Eriksson

참여 작품

The Other Fellow
Producer
An energetic exploration of male identity via the lives, personalities, and adventures of a diverse band of men, real men across the globe all sharing the same name – James Bond. 1952. Jamaica. When author Ian Fleming needs a name for his suave, sophisticated secret agent, he steals one from an unaware birdwatcher and creates a pop-culture phenomenon about the ultimate fictional alpha male. 2022. It is the year of 007’s sixtieth anniversary onscreen and Australian filmmaker Matthew Bauer is on a global mission to discover the lasting, contrasting and very personal impacts of sharing such an identity with James Bond. From a Swedish 007 super-fan with a Nazi past, a gay New York theatre director, an African American Bond accused of murder, and two resilient women caught up in it all, Bauer’s cinematic mission is an audacious, poignant, and insightful examination of masculinity, gender, and race in the very real shadows of a movie icon.
폭력의 그림자
Post-Production Manager
아일랜드의 오지에 사는 전직 권투 선수 암은 마약 거래로 생계를 꾸리는 디버스 가족에겐 무시무시한 관리자지만, 동시에 자폐증을 앓는 다섯 살 난 아들 잭에겐 좋은 아빠가 되려고 애쓴다. 이 두 역할 사이에서 지칠 대로 지친 그는 처음으로 살인 청부 일을 맡으면서 선택의 기로에 놓인다.
더 라스트 트리
Post Production Supervisor
Femi is a British boy of Nigerian heritage who, after being fostered in rural Lincolnshire, moves to inner-city London to live with his birth mother. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take.