In the early years of the Republic He Changsheng followed his grandfather around the world and learned a lot about medicine. One day, while He and Hu are tending to the shop, a woman dressed as a Miao, Ah Man, comes to the door and asks He Changsheng to pay his father's debt to his son and fulfil his promise.
Yan Yangyi and Bao Hulu strayed into the strange Underworld Town, where they can only enter but cannot leave. Anyone who leaves without authorization will die mysteriously. Although Yan Yangyi doesn't believe in the horror legends all over Yin-Yang Town, he frequently encounters strange things. Will he be able to survive time after time? What was even more unexpected to Yan Yangyi and Bao Hulu was that under the curse, the spooky town has an amazing secret behind it...
The story of Li Dazhao's revolutionary deeds from 1912 to 1927, and the story of the benevolent and revolutionary pioneers who were led by him to devote themselves to the great cause of Marxism
피의 표식을 손에 쥐고 태어난 테무진(진위정). 그는 어려서 아버지를 여의고 홀어머니 밑에서 약혼자 패이첩(임윤)과 정식으로 혼인할 날만을 손꼽아 기다린다. 그런데 혼인 당일, 지옥에서 살아온 전설 속 인물 명왕(후준)이 평화롭던 마을에 들이닥쳐 패이첩을 납치한다. 테무진은 비로소 자신의 손에 새겨진 표식의 의미를 깨닫고, 사막의 모래바람과 차디찬 설산을 넘어 민족의 운명을 건 거대한 전쟁을 통해 징기즈칸으로 거듭나는데…!
Two strangers' worlds collide after a Beijing traffic accident results in the husband of Yu Miao shooting and killing the girlfriend of young, penniless Xu Tian
Zhao Yumin is a Taek-won-do coach , whose had hard times since his best student Han was killed during an underground championship . Zhao almost gave up when Ling appears at his door , insisting that Zhao must train her for the championships, and became the first woman fighter to lead a man's division.
Liu (Stephen Fung) awaits execution after he is convicted of murdering his friends. According to Chinese superstition, the souls of the dead have 49 days to wander the earth before going to heaven or hell for an eternity. Liu and his lawyer (Gilian Chung) must find a way to intersect with the spirits to prove his innocence.
This simple romance story does not mean much to westerners, and in fact, does not even mean anything to Chinese today, but it was a big thing when it was made, not long after the end of Cultural Revolution in which even the personal romance was restricted. This movie is one of the pioneers of personal liberalization in advocating people seeking out their love following their own hearts, not from other people.
