Annette Dorn

Cupid, the God of love, gets the order to unite two people. On Earth, Otto fails as a street musician because his guitar breaks. While buying a new string, his hand gets stuck in the purse of Tina, who works at the Dr. Bayerle beauty farm. When she enters the subway, the purse is teared off and Otto is hit by Cupid's arrow. Now he wants to give back her purse at the doctor's conference.

Gudrun is a teen-aged girl living in Germany during World War II. Her father is away serving in the army and her mother has sent her to a rural village to stay with her grandmother, a cafe proprietor. In that ironically idyllic setting, Gudrun frolics with a youth who yearns to join the Hitler Youth, though his father is a pastor who has been outspoken against the regime and will soon be arrested. Meanwhile, Gudrun's mother has been having an affair with an army officer. This causes grave difficulties when her husband, who has deserted and is hiding out in grannie's cellar, stumbles upon the couple.

Theo is having some bad luck. His barely paid-for truck has been stolen, and credit collectors are after him. The chase leads him across Europe.

In the late 1970s the German secret service fights against RAF terrorism and searches for constitutional enemies in the public service. Teacher Brasch implicates secret service agent Körner and the government in the suicide of a young teen. As a result Brasch and the exposed Körner are fired.

Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?

German film.

Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.

Hans Baerlach is a Swiss police detective who has dedicated much of his career to pursuing powerful and allegedly murderous businessman Richard Gastmann. Though Baerlach's partner meets his demise while investigating Gastmann, his replacement, Walter Tschanz, is undaunted. Meanwhile, the lovely Anna Crawley becomes involved in the case, which proceeds to take many twists and turns.

This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely popular German author, who set many of his adventure novels in an idealized version of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign.