Ingrid Dahlberg

Ingrid Dahlberg

출생 : , Vetlanda, Småland, Sverige

약력

Ingrid Margareta Dahlberg is a Swedish journalist, producer, writer and theatre executive. As artistic producer for SVT Drama she collaborated frequently with Ingmar Bergman. In 1996 she was elected CEO and artistic manager for The Royal Dramatic Theatre in Stockholm.

프로필 사진

Ingrid Dahlberg

참여 작품

사적인 고백
Producer
Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna's confessions do not absolve anyone, and have the power to inflict more pain.
예루살렘
Producer
거트루드(마리아 보네비 분)와 잉그마르(울프 프리베그 분)는 서로 깊이 사랑하는 사이. 마을의 모든 사람들 또한 그렇게 여기고 있다. 잉그마르는 가족 소유의 토지를 물려받기로 되어 있으며 또한 마을의 지도자가 될 예정이었으나, 이러한 평탄한 상황을, 마을 사람들을 성스러운 땅으로 인도해 구원을 약속하는 카리스마적인 전도사 헬굼의 등장과 함께 돌변하게 된다. 잉그마르의 누나인 카린(페닐라 오거스트 분)은 죽은 아버지와의 약속을 어기고 구원의 약속을 굳게 믿고 마을의 부자인 페르손(안드레스 니스트롬 분)에게 동생에게 상속되게 되어있는 가족의 토지를 팔아버린다. 이에 낙담하게 된 잉그마르는 아버지의 유언대로 가족의 농토를 지키기 위해 거트루드와의 결혼을 포기하고 페르손의 딸 바브로(레나 엔드레 분)와 결혼하는 불가피한 선택을 하게되며, 절망에 빠진 여인 거트루드는 잉그마르를 저주하며 예루살렘을 향하여 카린, 그리고 헬굼의 일행에 합류한다. 그러나 아버지의 강권으로 잉그마르와 어쩔 수 없이 결혼하게 된 바브로는 잉그마르가 이러한 현실을 고통스러워하는 것을 알게되고, 그는 그에게 아버지가 죽은 후 예루살렘으로 거트루드를 찾아가도록 돕니다. 그러나 잉그마르는 거트루드의 저주로 한쪽 눈을 잃게 되고 마침내 거트루드를 찾아서 고향 땅으로 데러오지만 그때 아내 바브로는 자신의 애를 낳는데.
최선의 의도
Producer
1909년, 스웨덴 웁살라. 가난했지만 매우 엄격한 기독교의 교리에 따라 키워진 헨릭 베르히만(사뮤엘 프릴러 분)은 웁살라에서 신학공부를 한다. 비참하고 어려운 그의 생활에서 유일한 낙은 여급인 프리다를 만나는 것. 어느날 헨릭은 부유한 집안의 친구 어니스트의 일요일 만찬에 초대된다. 헨릭은 그 만찬에서 어니스트의 여동생 안나를 만나게 된다.
Till salu personlig utveckling
Writer
At the start of the 1980's, executives and business managers are being sent to sensitivity courses, to become more creative in their leadership.
Till salu personlig utveckling
Director
At the start of the 1980's, executives and business managers are being sent to sensitivity courses, to become more creative in their leadership.
Mörker och blåbärsris
Director
Helga Wedin is a middle age widow. Her husband spent all their money on horse racing and now she sits on a parceled small farm, in a forgotten village in the North of Sweden.
Vem var Axel Wenner-Gren?
Director
Who was Axel Wenner-Gren? The story of a financier whose millions disappeared.
Sju ton bomber per person
In 1970, writer/reporter Ingrid Dahlberg and photographer Lars Hjelm from the Swedish National Television visited North Vietnam as the very first foreign team in the disbanded areas at the 17th latitude, the central parts of North Vietnam.
Sju ton bomber per person
Writer
In 1970, writer/reporter Ingrid Dahlberg and photographer Lars Hjelm from the Swedish National Television visited North Vietnam as the very first foreign team in the disbanded areas at the 17th latitude, the central parts of North Vietnam.
Sju ton bomber per person
Director
In 1970, writer/reporter Ingrid Dahlberg and photographer Lars Hjelm from the Swedish National Television visited North Vietnam as the very first foreign team in the disbanded areas at the 17th latitude, the central parts of North Vietnam.
Svart vecka i Nimba
The Liberian American Swedish Mining Company (LAMCO) was a mining company that mined iron-ore in northern Liberia at the Nimba massif. About 15,000 Swedes worked for Lamco and the project was cited as a successful example of international cooperation. But in this film the Swedish TV viewers were presented a very different picture. The film broke with the conventional African portrayal and the Swedes in Liberia were portrayed as colonial-era heirs. The film was supplemented with a debate.
Svart vecka i Nimba
Writer
The Liberian American Swedish Mining Company (LAMCO) was a mining company that mined iron-ore in northern Liberia at the Nimba massif. About 15,000 Swedes worked for Lamco and the project was cited as a successful example of international cooperation. But in this film the Swedish TV viewers were presented a very different picture. The film broke with the conventional African portrayal and the Swedes in Liberia were portrayed as colonial-era heirs. The film was supplemented with a debate.