Ruben Tolk

Ruben Tolk

프로필 사진

Ruben Tolk
Ruben Tolk

참여 작품

Totally Boss
Oliver
13-year-old Oliver and Sass make a nose-shaped glasses holder in shop class, which at-tracts the interest of a mysterious major investor. At the same time, Oliver’s recently laid off father is struggling to find a new job. The boys are too young to run their business themselves so Oliver hatches a plan to kill two birds with one stone: they hire Oliver’s dad to run their business, also saving his parents’ rocky marriage! The trick is that Oliver’s father doesn’t know that he works for his son and son’s friend Sass. A fast-paced duplicitous game unfolds and starts to escalate when the boys find out what their mysterious investor is really up to.
u.Q.
Uku
To understand the international phenomenon of Uku Kuut means to understand the ability of different musical niches, sub-genres and hidden creative explosions to not only exist, but flourish, completely independently of the mainstream. Kuut’s life, mothered by Maryn E.Coote (who you may know as the Estonian jazz diva Marju Kuut), took him from the Soviet Union to a refuge in Sweden, music studios in Los Angeles, back to a re-independent Estonia and later, fighting ALS, to loudspeakers all around the world.
스파이 워
Paperboy
1939년 8월, 유럽 전역은 전쟁의 발 앞에서 공포에 떨고 있다. 당시 에스토니아는 스탈린의 소련과 히틀러의 제3국(히틀러 치하의 독일을 일컫는 말)에 맞서 홀로 서있었는데, 국가의 반(反) 소비에트 정보국장이 살해되면서 치명적인 타격을 입게 되며 그들 내각 내의 스파이에 대한 의혹이 제기된다. 불가사의한 이중첩자를 찾는 임무를 맡은 에스토니아 스파이 펠릭스 캉구르는 반역자를 쫓기 위해 나선다. 세계, 정치, 군사적 사건들이 걷잡을 수 없는 속도로 전개됨과 동시에 독일과 소련이 폴란드를 침공하려는 움직임을 보이고, 그 와중에 펠릭스는 그 뒤에 숨겨진 소름 끼치는 계획을 발견하게 된다. 바로 소련의 붉은 군대가 에스토니아를 무력으로 합병하기 위한 비밀 작전을 계획하고 있었던 것이다. 양국에 파괴적인 결과를 가져올 이 사건을 막기 위해, 펠릭스는 폴란드 미술사학자인 마리아와 비밀 관계를 맺기로 하는데…
The Man Who Looks Like Me
Young Hugo
A music critic Hugo, suffering from post-divorce depression, is just about to rebuild his life when his jazz musician father Raivo arrives at his door unexpectedly. Spiteful old man announces that he will soon come to his end and expects his only son to take care of him. When an attractive psychotherapist enters the men’s lives, the father and son duo begin to compete for her attention. The old prankster manages to create a number of embarrassing moments in an effort to ruin Hugo’s romantic plans. Andres Maimik’s and Katrin Maimik’s tragicomedy is an exploration of forced closeness, a pursuit of happiness and a road to forgiving through laughter, suspense and tears.