Maarek Toompere

참여 작품

Taarka
Editor
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.
Visit of an Old Lady
Editor
As a young woman, Claire left her hometown in disgrace. Now she is old and unimaginably rich, as for the first time she returns. The town is nearly bankrupt and in urgent need of money. Everybody hopes Clara will come to the rescue. And she will. However, there is a condition: somebody must kill the man who was her lover all those years ago.
Golden Beach
Editor
Retroband Evergreen's reunion party is ruined when Viktor, who was once the band's frontman, threatens to blow the house up for revenge of his sad destiny.
Mat the Cat
Editor
10-year-old Martin meets a cat, who turns into a boy and helps Martin solve his problems which occurred after he changed school.
Madonna Is Not Dead A.D. 2050
Editor
Two elderly people have decided to start having children. There was no time for this in their youth, they had to work hard to survive. Now, in retirement, nimble old people are making children for sale to spend the night with beer, cigarettes and cocaine. It is the year 2050. The third child of the elderly is about to be born and the selling price is rising. The moral and ethical categories have changed. An aging Europe needs children.
Guarding Angel
Editor
Follow up film to "Call-girl´s Christmas" captured four years prior by Artur Talvik and Rein Kotov. Kerstin, a prostitute portrayed in a blatantly natural-poetic documentary by Talvik-Kotov, has meanwhile been in prison for theft, then released and again called in front of the camera. A new person, perhaps, but still as skilled a manipulator of men as ever.