Elisa Cegani

Aliens send a hypnotic signal through a TV channel, and the signal makes people dance and makes them forget their fears.

The life and ideas of the German philosopher Friedrich Nietzsche. A love triangle unfolds as Nietzsche and his best friend decides to live with a Jewish woman. According to Nietzsche's philosophy, that is beyond all morality. Depicting Nietzsche's opium addiction and madness meritorious.

Italian romance starring Giovanna Ralli, Gigi Proietti and Cristiano Censi

A former General comes back to Trieste to live with his cousins.

범죄의 세계에서 화려하게 명성을 날려온 보석 전문 강도이자 킬러 싸르테(아랑 드롱 분)가 호송 도중 자동차 바닥을 뚫고 탈출한다. 시실리계 거물 마피아 마네레제(장 가방 분)으로부터 5천만불에 달하는 보석을 가로채자는 제의를 받은 그는 탈출 직후 마네레제의 집에 기거하며 감방 동료로부터 얻어낸 보석 전시장 경보 시스탬을 하나하나 분석해 낸다. 그러나 현장 조사결과 도면에는 없던 특수장치가 발견되자 이들은 계획을 원점으로 돌리고 다시 치밀한 작전을 세운다.그사이 싸르테는 마네레제의 아들 알도의 아내와 사랑에 빠지고 만다. 한편 프랑스 경찰청의 국보급 수사관으로 싸르테검거에 총력을 시울리고 있는 르고프(리노 벤츄리 분)의 추적이 뒤따르는 가운데 싸르테 일행은 뉴욕 전시를 위해 공수되던 보석을 실은 여객기를 납치, 뉴욕의 프리웨이에 강제 착륙시키는데.

Simon Bolivar is the true-life story of the leader of the 1817 Venezuelan revolution.

Sandro is a well-known journalist and he is conducting a survey on human selfishness. Every man and every woman he meets turns into a theme for his inquiry. Even his own wife, Titta.

David of Bethlehem slays the giant and becomes a rival to King Saul.

In late 19th century Sicily, handsome free-spirit Liolà wanders into town, where he encounters an old flame now married to a wealthy landowner.

To avenge his father's death and free the people of Seriphos from the evil King Galinor of Argus, the noble Perseus must defeat a dragon -- and the monster Medusa, whose steely gaze has cast the kingdom's best soldiers into stone.

A film about twin bothers Jacob & Esau

The Reluctant Saint is based on the life of Saint Joseph of Cupertino who was sent to work at a monastery circa 17th century Italy because his mother believed him too simple for anything else.

Virginia de Leyva, daughter of a Spanish Lord, becomes a nun in Monza, in 1600s. She becomes very strict with herself and the students until she's unable to resist a romance with the nobleman Gian Paolo Osio which will lead both to danger.

American students, Tommy and Annette, find themselves in a heap of trouble when they accidentally discover an art forgery ring in Florence, Italy.

The Last Judgement (Italian: Il giudizio universale) is a 1961 commedia all'italiana film by Italian director Vittorio De Sica. It was coproduced with France. It has an all-star Italian and international cast, including Americans Jack Palance, Ernest Borgnine; Greek Melina Mercouri and French Fernandel, Anouk Aimée and Lino Ventura. The film was a huge flop, massacred by critics and audiences when it was released. It was filmed in black and white, but the last sequence, the dance at theatre, is in color.

Constantin is fighting against Barbarians with his father when he is called to Rome. In his way to Rome, he falls in an ambush planned by Maxence, who wants to become emperor.

Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...

A struggling model concocts a story of being raped and beaten by three strangers and soon becomes a media darling. Complications arise when the police eventually arrest three suspects.

A photographer named Corrado snaps a picture of Antonietta. When it shows up on the front page of a magazine, she wants to take him to court over it.

Nana or Nanà is a French-Italian film by Christian-Jaque starring Charles Boyer. It is an adaptation of Émile Zola's novel Nana.

During the first Napoleonic expedition into Italy, Thibaud is seriously injured before being caught up in a mystery involving his wife, her rightful inheritance and his own daughter's happiness.

Liana, an architecture graduate, is about to get married until she is confronted with the fact she is sacrificing the rest of her life for a man she barely knows. So begins a series of romantic encounters in which Liana tries to find her freedom and happiness, but which will ultimately lead her to a tragic fate.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

After years of detachment Alberto Valli returns to the home of Margherita, his widowed mother, with his mistress Germaine.

Naples 1821. Alphonse, a young poet belonging to a noble French family, is caught by a storm at sea. Fortunately the boat manage to reach the shores of Procida, where Alphonse is welcomed by the family of Andrea. Here he meets the beautiful Graziella.

Nine episodes about life in Italy in the period just before its economic boom.

After her father commits suicide, a young woman asks for help to the son of a Countess and they fall in love.

Lucia Spinelli, orphaned by both parents, is taken as a housekeeper in the house of Mrs. Carla Parodi, when she reaches the age of majority, the young woman is almost forced to marry Mrs. Carla's brother. After the marriage and the birth of the first child, Parodi's intrusions on the life of the two spouses continue.

Just before the Franco-Prussian War of 1870, a party is held in the castle of the Stettin's Counts.

A number of different segments taken from 19th century Italian stories.

Evelyne, a judge's young wife, falls in love with Rémy while vacationing in Italy. Upon returning home, she must decide between telling her husband and continuing to see Rémy.

In ancient Rome a love story blossoms between Fabiola, daughter of a senator, and Rhual, a Gallic gladiator. After Fabiola's father is killed, the Romans blame the Christians and the persecution begins. Rhual confesses to being a Christian, is accused of the murder and sentenced to fight to the death in the arena.

Some Italian partisans want to take refuge in a convent to escape German raids. The nuns are a little perplexed at first but then agree since one of the men is seriously wounded. When the partisans eventually leave, the Germans take a terrible revenge.

A host of college girls take different life paths in the Italy of the 1930s.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

Two half brothers, one a pilot, the other a repairman at the plane factory of their father, are in a disagreement due to the envy of the younger brother, son of the first wife of their father. Then both brothers fall in love with the same woman; this causes more conflict between the two, making worse an already tense situation.

In Florence, at the time of Lorenzo de Medici, known also as Lorenzo the Magnificent, the aristocrat brothers Chiaramantesi rule with an iron fist the streets of the city. Ruthless and fierce, the two brothers have chosen as their special victim the innocent and harmless Giannetto. Even though determined to not react to the cruel pranks of the brothers, Giannetto is forced to take a stand when Ginevra, a beautiful girl that works in the Chiaramantesi household, is dragged into the game. To defend his honor and protect the girl, Giannetto works out a fiendish plot that will end in blood and madness.

In the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio to beasts in the woods, but lions don't kill him and breed him as one of them.

Called to perform at the Scala, a young baritone begins a transatlantic romance with a famous pianist. The singer, having been skewered by a critic after his last performance in Milan, attempts to find a way to win over the audience and the critics, while wooing his love interest.

ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.

La Contessa di Parma was the sole directorial contribution by Allesandro Blasetti in 1937. The first of several expensive costume dramas upon which the director established his international reputation, the film stars Elisa Cegani as Marcella, a model in the dress shop owned by enterprising Umberto Melnati. To improve his business, the owner instructs his models to dress up as society ladies and attend all the best parties. And that's how humble little Marcella comes to be mistaken for the popular Duchess of Parma -- and by extension, how our heroine wins the love of football hero Gino Vanni (Antonio Centa). A little wanting in the way of plot or logic, La Constessa di Parma is at least consistently good to look at.

Based on a Pirandello play, Vittori De Sica plays a wealthy young social lion who has to constantly fight off a horde of women who are eager to marry him because of his position and money. He weds Elisa Cegani, a servant girl, who turns out to be a more appealing wife than any of the others could have been. Assis Noris decorates the screen well as one of the chasers and pursuers. In 1937, De Sica and Noris made a film, "II Signor Max," which, other than the setting and character role names, basically has the same plot as this film.

Umberto Solaro loses the love of his life Speranza, a noble but poor girl who has been forced to marry a rich Austrian army officer. Heartbroken Umberto becomes a riding instructor but during a competition his horse dies and he decides to give up equitation and become an aviator.