Subrata Acharya

Subrata Acharya

출생 : , India

약력

Subrata Acharya (b. 1975, India) is an artist involved in painting, film direction, and in writing current affairs essays for local newspapers and magazines. His paintings have been exhibited at galleries throughout his career, and he has published three books, including one on Bengal folk art and crafts. He shot his first short documentary at age 24, Road to Heaven (1999). Since then he regularly creates short films and documentaries, one almost per year. Spring in the Air is his feature film directorial debut. He is currently finishing work on the documentary The City of Saturn.

프로필 사진

Subrata Acharya

참여 작품

Spring in the Air
Spring in the Air
Producer
A new girl moves in to the neighborhood and the local guys start gathering around her window. This poetic black-and-white movie combines traces of Indian passion with the stillness of a European art film. With poetic concision, the film brushes up against subconscious human desires, which it conveys with delicacy and depth.
Spring in the Air
Spring in the Air
Director of Photography
A new girl moves in to the neighborhood and the local guys start gathering around her window. This poetic black-and-white movie combines traces of Indian passion with the stillness of a European art film. With poetic concision, the film brushes up against subconscious human desires, which it conveys with delicacy and depth.
Spring in the Air
Spring in the Air
Writer
A new girl moves in to the neighborhood and the local guys start gathering around her window. This poetic black-and-white movie combines traces of Indian passion with the stillness of a European art film. With poetic concision, the film brushes up against subconscious human desires, which it conveys with delicacy and depth.
Spring in the Air
Spring in the Air
Director
A new girl moves in to the neighborhood and the local guys start gathering around her window. This poetic black-and-white movie combines traces of Indian passion with the stillness of a European art film. With poetic concision, the film brushes up against subconscious human desires, which it conveys with delicacy and depth.