Zouzou

Since the 1960s, the Rolling Stones, the incarnation of "sex, drugs and rock'n'roll", have had a special relationship with France. From the chaotic concert at the Salle Vallier in Marseille in 1966, to the recording of "Exile on Main Street", their album written under the influence in a villa on the Côte d'Azur, to Mick Jagger's mythical wedding in Saint-Tropez, the British rock band has lived through some crazy French years. Never-before-seen images and interviews with collaborators, rock critics and musicians lift the veil on the Stones' passionate relationship with France.

Les Contes Secrets ou les Rohmériens features interviews with 16 actors who have appeared in Rohmer's films, and they talk on camera about his unusual working methods, his personality, and his spare but evocative signature style. Among the thespians who share their memories are Jean-Louis Trinitignant, Marie-Christine Barrault, Zouzou, Jean-Claude Brialy, Béatrice Romand, Françoise Fabian, and Andre Dussolier; the film also includes rare footage of Rohmer himself at work on the set of his 1978 effort Perceval.

30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

까르꼬(Antoine Carco: 제라르 디빠르디유 분)는 시내에 유명 나이트 클럽의 사장으로 클럽의 인기 댄서 레지나와 약혼한 사이이다. 하는 일마다 승승장구하던 그에게 어느날 홍콩에서 옛 친구의 전화가 걸려온다. 그 친구는 자신의 5살짜리 아들 바오를 빠리에 있는 그의 중국인 아내에게 데려다 달라고 부탁하고 홍콩 마피아들에게 살해당한다. 친구가 아이에게 전해주라던 4천만 달러에 눈독을 들인 까르꼬는 당장 홍콩으로 날아가지만 그 역시 마피아들의 추격을 받게 된다. 우여곡절 끝에 아이를 만나 수도원에 맡겨둔 채 혼자 돈을 찾아 가려던 까르꼬는 그마저 여의치 않게 되지만 운좋게도 수도원의 신부를 만나 온갖 해프닝 끝에 비행기를 타고 무사히 탈출한다. 하지만 거짓말은 곧 탄로가 나고 신부는 까르꼬에게 후회할 것이라는 말을 남기고 돌아선다. 신부가 장담한대로 까르꼬 앞에는 자신과 똑같이 생긴 수호천사가 나타나 하는 일마다 일일이 잔소리를 해대기 시작하는데...

A survival, silent black & white film shot with a hand camera, a journey into Philippe Garrel's intimate family album featuring the two women who counted in his cinematographic life: Nico and Zouzou.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

A thriller in which the characters are Latin-American exiles living in Paris. It is also a comedy about artists who play at revolution rather than actually participate in one

After a terrorist attack against a train, the police arrest the young laborer Stefano Baldini, member of a group of militant leftists. Entrusted for interrogation to Sergeant Pendicò and special agents Lorusso and Spasiani, Stefano dies, after four days, in unclear circumstances. Doubting the official version of the police, the second time in which a young person died in custody, journalist Cristina Visconti tries, with the aid of the sister of Stefano, to discover the truth. They rub up against a conspiracy of silence that encircles the acts of Pendicò and his associates. Frustrated beyond reason, Cristina tries a desperate ploy: publishing a story without evidence in the newspaper, accusing the three agents of having caused the death of Stefano with their blows. Cristina is put on trial for defamation. Can she avoid going to jail and also reveal the facts surrounding Stefano's death?

Gerard and his 9-month-old son have been left by his wife for feminist reasons. The custody of his son is being threatened by his next romance.

그리스에 거주하는 미국인 기업가 브랙켄의 가족인 부인 엘렌, 아들 지미, 딸 수지가 극좌파 테러리스트들에게 납치된다. 범인들은 몸값으로 엄청난 양의 무기와 탄약을 요구한다. 엘렌의 전 남편 멕케이브는 국제적인 밀수꾼, 그는 신문에서 이혼한 아내와 자기 아들인 지미가 납치된 사실을 알고 엘렌의 현재 남편 브랙켄과 공동 작전을 펴기로 한다. 범인들이 보내온 가족사진의 배경그림을 통하여 범인들의 은신처가 절벽 위에 있는 버려진 사원이라는 사실을 알아낸 멕케이브는 6인의 행글라이더 동호인들에게 접근하여 거액을 제시하고 승락을 얻어낸 후 야간에 함께 행글라이더로 절벽위 사원으로 접근한다. 가족들을 구출하여 나오다가 납치범들에게 발각되어 치열한 총격전이 벌어지고, 뒤쫓아온 브랙켄과 경찰의 지원으로 납치범들을 일망타진하고 가족은 무사히 구출된다.

In a deliberately erratic and disjointed fashion, this film follows the adventures of Bernard (Jean-Pierre Leaud). A young man from the provinces, he makes his pilgrimage to Paris and seeks adventure while living on a barge.

Everything starts when a journalist François decides to investigate the world of working class people. He gets into the lives of Claude, a worker and his wife Lily who has left him.

Two CIA bunglers (Donald Sutherland, Elliott Gould) botch a Soviet defection, then both sides mark them for termination.

유부남인 프레데릭은 우연히 친구의 옛 애인 클로에를 만난다. 프레데릭의 규격화된 삶과 달리 보헤미안적인 삶을 사는 클로에는 프레데릭의 단조로운 오후의 일상에 활력을 선사한다. 마침내 그녀의 다락방에서 한나절의 사랑 행각이 막 벌어지려는 순간 프레데릭은 갑작스런 깨달음을 얻고 부인에게 돌아간다.

A film by Yvan Lagrange.

A year and a half after "Le Lit e la vierge", Zouzou and Pierre Clémenti are in another bed, this time in front of a window, with Sacré-Coeur in the background. Filmed in two days, in July 1970, with a stolen film from the ORTF, this film, a tribute to these two vedettes of the French underground, is of immense beauty. The title is inspired by the silhouette of Pierre Clémenti, evocative, for Lagrange, of the male physicist during the Renaissance. Grandson of Léo Lagrange and nephew of the chief operator Ghislain Cloquet, Yvan Lagrange is two years younger than Philippe Garrel. "Renaissance", his first film, shows to what extent his generation was influenced by Garrel.

성경의 알레고리를 느슨하게 차용한 작품으로, 당대를 대표하던 패션모델이자 아티스트, 뮤지션인 주주가 막달레나 마리아로 분하며, 피에르 클레멘티가 예수 역을 맡았다. 감독 자신은 직접 엇나가는 제자로 출연한다. 필립 가렐은 당대의 68운동을 상징하는 인물로서 예수를 ‘궁극의 히피’로 내세운다.

An experimental and poetic portrait of a woman.

La Concentration features an androgynous young man (Jean-Pierre Léaud) and woman (Zouzou), dressed only in their underwear, locked in a room with a bed.

Parallel lives of two couples destined to suicide, one, and unhappiness, the other.

TV short for the ORTF.

A family's life is transformed into an object of art.

In 1963, 22-year-old Bertrand Blier invited 11 of his peers to come to a film studio and talk about their lives. The record of what was said is a discussion of values that remains relevant and fascinating today. The footage was shot just five years prior to May 1968, and the atmosphere of that time is clearly discernible: these young people may not yet be revolutionaries, but there is clearly a ferment in the air.