Sasha Chuk Tsz-yin

참여 작품

Fly Me to the Moon
Perhaps we form our likings later in life, whereas our childhood memories shape what makes us feel at home. Yuan moves to Hong Kong with her mother from Hunan at the age of eight to reunite with her father. Everything in the city is dazzling and new to her. However, the family faces poverty and language barriers. Worse yet, her father, who is a drug addict, is temperamental and is often sent to prison, causing him to disappear from the family for long periods of time. This certainly is not the dream home Yuan has been looking forward to. All she wants is her younger sister to be reunited with them as soon as possible. Out of fear, the sisters try to please their father in their early years, but as soon as they reach adolescence, they start to resist and escape from him. However, even after they grow up and move away from him, Yuan realises that all the people she loves and treasures turn out to resemble her father in her childhood memories.
Fly Me to the Moon
Writer
Perhaps we form our likings later in life, whereas our childhood memories shape what makes us feel at home. Yuan moves to Hong Kong with her mother from Hunan at the age of eight to reunite with her father. Everything in the city is dazzling and new to her. However, the family faces poverty and language barriers. Worse yet, her father, who is a drug addict, is temperamental and is often sent to prison, causing him to disappear from the family for long periods of time. This certainly is not the dream home Yuan has been looking forward to. All she wants is her younger sister to be reunited with them as soon as possible. Out of fear, the sisters try to please their father in their early years, but as soon as they reach adolescence, they start to resist and escape from him. However, even after they grow up and move away from him, Yuan realises that all the people she loves and treasures turn out to resemble her father in her childhood memories.
Fly Me to the Moon
Director
Perhaps we form our likings later in life, whereas our childhood memories shape what makes us feel at home. Yuan moves to Hong Kong with her mother from Hunan at the age of eight to reunite with her father. Everything in the city is dazzling and new to her. However, the family faces poverty and language barriers. Worse yet, her father, who is a drug addict, is temperamental and is often sent to prison, causing him to disappear from the family for long periods of time. This certainly is not the dream home Yuan has been looking forward to. All she wants is her younger sister to be reunited with them as soon as possible. Out of fear, the sisters try to please their father in their early years, but as soon as they reach adolescence, they start to resist and escape from him. However, even after they grow up and move away from him, Yuan realises that all the people she loves and treasures turn out to resemble her father in her childhood memories.
Plain Sailing
Bai from Hong Kong takes a leisurely trip in Kaohsiung and meets a Japanese young man Hei there. Both are finding refuge in their own little world when the calmness of the water surface is shattered one day. They suddenly realise the world is not as large as they imagine; and their little world is not exactly that little.
Plain Sailing
Writer
Bai from Hong Kong takes a leisurely trip in Kaohsiung and meets a Japanese young man Hei there. Both are finding refuge in their own little world when the calmness of the water surface is shattered one day. They suddenly realise the world is not as large as they imagine; and their little world is not exactly that little.
Plain Sailing
Director
Bai from Hong Kong takes a leisurely trip in Kaohsiung and meets a Japanese young man Hei there. Both are finding refuge in their own little world when the calmness of the water surface is shattered one day. They suddenly realise the world is not as large as they imagine; and their little world is not exactly that little.
親愛的瑪姬
Writer
親愛的瑪姬
Director
Liu Yang He
Writer
The Dropout Of Her
Writer
Kwan believes that she is unique. Enclosed in solitude within her own literary world and deprived of affections from her family, she longs for love in whatever form it takes - no matter how distorted. She considers the detention class with Mr Cheung a shelter from the world, until it is shattered together with all her hopes. She finally comes to the realisation that it is the world that goes against her. There is no hiding place for her no matter how hard she struggles……
The Dropout Of Her
Director
Kwan believes that she is unique. Enclosed in solitude within her own literary world and deprived of affections from her family, she longs for love in whatever form it takes - no matter how distorted. She considers the detention class with Mr Cheung a shelter from the world, until it is shattered together with all her hopes. She finally comes to the realisation that it is the world that goes against her. There is no hiding place for her no matter how hard she struggles……