Aymar del Amo

Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston. The great Polish tenor Piotr Beczala returns to the Liceu with one of his opening credits, accompanied by the soprano Keri Alkema. Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features costumes by Christian Lacroix and Vincent Lemaire’s sober staging, which allows one to focus their attention on the dramatic core of the score. The cast, directed by a true specialist like Renato Palumbo, also presents a leader in Verdian song: Dolora Zajick.

The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 years of the Fascist regime, comes back to life, both through the rediscovery of his work today and in a previously unpublished film diary in 16 mm, shot and edited throughout his lifetime. A man of great charm and power, Portaluppi lived through a grandiose but tragic era with ironic detachment, as if dancing across things as he created beauty. History marches on implacably, radically transforming the arena in which the eclectic artist and his large family lived and worked.

Bellini - i Capuleti e i Montecchi at the Gran Teatre del Liceu, Barcelona

Lucia di Lammermoor, dramma tragico in three acts by Gaetano Donizetti (1797 - 1848). Libretto by Salvadore Cammarano, after Walter Scott's 'The Bride of Lammermoor'. First performance in Naples, Teatro San Carlo, 26 September 1835 Recording: December 23 2015 - Gran Teatre del Liceu | Barcelona Director: Fabrice Castanier Conductor: Marco Armiliato Orchestra & Chorus of the Gran Teatre del Liceu

Planeta Blanc is a documentary about the first-ever disabled expedition to conquer the South Pole ,Following the last steps of Ernest Shackleton. A history about the capacity of the handicapped.

Planeta Blanc is a documentary about the first-ever disabled expedition to conquer the South Pole ,Following the last steps of Ernest Shackleton. A history about the capacity of the handicapped.

Planeta Blanc is a documentary about the first-ever disabled expedition to conquer the South Pole ,Following the last steps of Ernest Shackleton. A history about the capacity of the handicapped.

Planeta Blanc is a documentary about the first-ever disabled expedition to conquer the South Pole ,Following the last steps of Ernest Shackleton. A history about the capacity of the handicapped.

Flamenco Hoy is the first live play directed by the great Spanish filmmaker Carlos Saura. For this staging it has more than 20 artists of the new generation, all of them possessing a great talent and very recognized in their field, exhibiting a lively, brilliant show, full of strength and energy. The dance, composed of 8 excellent dancers is presented with its varied samples of the traditions acquired over the years and its use of new trends such as jazz and contemporary. The cante is represented by 2 portentous cantaores who interpret the compositions and arrangements of Chano Domínguez, internationally recognized Spanish pianist and several times nominated for the Grammy. 4 musicians of great level complete the music scene.

From an observational perspective, this documentary captures the experiences of the students of the dance school of the Theatre Institute of Barcelona, during the celebration of its tenth anniversary of existence.

From an observational perspective, this documentary captures the experiences of the students of the dance school of the Theatre Institute of Barcelona, during the celebration of its tenth anniversary of existence.

From an observational perspective, this documentary captures the experiences of the students of the dance school of the Theatre Institute of Barcelona, during the celebration of its tenth anniversary of existence.

From an observational perspective, this documentary captures the experiences of the students of the dance school of the Theatre Institute of Barcelona, during the celebration of its tenth anniversary of existence.

From an observational perspective, this documentary captures the experiences of the students of the dance school of the Theatre Institute of Barcelona, during the celebration of its tenth anniversary of existence.

From an observational perspective, this documentary captures the experiences of the students of the dance school of the Theatre Institute of Barcelona, during the celebration of its tenth anniversary of existence.

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

About Crying is a story about a relationship that is close to end. Vera and Alejandro are facing a long night with decisions, doubts, fears, lies, silence and arguments. This story is a trip from the high Barcelona to the sea.

Five documentary shorts about various children from the third world.

Documentary following the new board of FC Barcelona as they attempt to turn around the club's business performance.

Documentary following the new board of FC Barcelona as they attempt to turn around the club's business performance.

Documentary about the so-called "hope camp", which narrates the long protest carried out by the Sintel workers camped in the middle of Castellana Street in Madrid in defence of their labour rights. The documentary follows the evolution of the events during 4 months, from April to August 2001, reflecting the life of these people during their encampment and the negotiations between the government and the trade unions.

200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.

200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.

200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.

200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets. One year after setting up the "Camp of Hope" with which they occupied Madrid's Avenida de la Castellana for months, and with the promises they were made unfulfilled, Sintel workers began a 10-day, 200-km march to Madrid to claim your job. Premiered on San Sebastian Film Festival 2003.

Children learn what they see and feel what their elders teach them to feel. If they live surrounded by hate and thirst for revenge, they will learn to hate and take revenge. The documentary collects the stories of these children told by themselves; of the children who live today in the war and of those who, already old, reflect on the childhood they lived in another distant war.