Jacques Robin

출생 : 1919-05-28, Paris, France

사망 : 2011-06-16

참여 작품

Paradise for All
Director of Photography
Doctor Valois has invented the "flashage", a cure for depressed people. After having tested it on monkeys, he tries with a first human patient, Alain Durieux. This is great success, everybody's happy except may be Alain's wife, Jeanne, who's worrying about the changes in Alain's personality. Other patients use the treatment with similar successes, and Valois's happy about it. But the monkeys are changing: non-cured ones are made mad by the over-stability and stereotyped behaviour of the cured ones. So are the humans. When Valois realises he can't stop the process, he decides to "flash" himself.
Chassé-croisé
Cinematography
Passionate about music, Julien nevertheless works with a sculptor. One day, he meets young Hermine at a religious bookseller.
Armageddon
Director of Photography
After years of poverty, Carrier, a repairman, inherits a large sum of money upon his brother's death in an accident. Now rich, he decides it is time to make his mark and be known at any cost. Becoming more and more mentally unstable, he begins to threaten police and the government signing his tracts, "Armaguedon". A detective from Interpol heads the investigation and prepares a trap at an international conference of world leaders in Paris.
Monsieur Sade
Cinematography
A film, directed by Jacques Robin opens with one "truly pornographic scene", while the rest of the footage is mostly simulated.
Monsieur Sade
Adaptation
A film, directed by Jacques Robin opens with one "truly pornographic scene", while the rest of the footage is mostly simulated.
Monsieur Sade
Director
A film, directed by Jacques Robin opens with one "truly pornographic scene", while the rest of the footage is mostly simulated.
아일랜드 오브 더 댐드
Director of Photography
Hélène Masson visits her friend Gérôme Savignat in the isolated rejuvenation clinic owned by Dr. Devilers and his partner Dr. Berbard. But after a series of tragic events, Hélène goes further in her investigation of the clinic.
The Friends
Director of Photography
Philippe is an older man and an industrialist whose wife is confined to her bed. They have no children. As he is preparing to go on a vacation to the seaside, he strikes up an acquaintance with Paul, a young working-class boy, and decides to bring him along. This is Paul's first glimpse of how the other half lives, with their first-class hotels and so on. When he meets some aristocratic young people at the resort, he tries to put over the fiction that he is of their class, with poor success.
Sappho
Cinematography
Françoise Legrand, better known as "Sappho", attractive young woman of the Parisian bourgeoisie, flits from man to man with the consent of Maurice Duran-Vior, his rich protector, a renowned financier. At a social gathering, she meets Lionel de Lancey, younger than she, a cool diplomat, and, as usual, she spends the night with him.
Playmates
Director of Photography
Young Wolves
Director of Photography
Alain, "a young wolf", elegant and racy, is maintained by the princess Linzani. At the same time, he goes out with a girl of his age, Sylvie, who despite her bold attitude has never had a lover.
The Killing Game
Director of Photography
Two cartoonists meet a playboy who lives out the fantasies created in their cartoons. He hires them to create a new comic strip. As they work on the new strip, the playboy begins to live it out. Unfortunately, the new strip deals with murder.
Life Upside Down
Director of Photography
A Paris real estate developer who feels compelled to withdraw from his seemingly perfect life into a world of his own. Is the man going insane? By conventional standards, maybe, but it's clear that the life he's fleeing is madder still from his point of view, and since that point of view is unfailingly witty and astute, we even come to accept his delusions as more "real" than reality.
The Last Steps
Director
A young poster artist sees an older married woman in cinema and falls in love.
We Will Go to Deauville
Director of Photography
Comical adventures of two pairs of friends during their stay in Deauville, Normandy.
We Will Go to Deauville
Camera Operator
Comical adventures of two pairs of friends during their stay in Deauville, Normandy.
Rencontres
Director of Photography
Bella Krastner is sunbathing on a beach on the Côte d'Azur when she attracts the attention of an attractive younger man, Ralph Scaffari. It is the start of a whirlwind romance which looks like it might last beyond the end of the summer. Unfortunately, Bella is already married, to Carl Krastner, a once renowned pianist who has become bitter and reclusive after a car accident that irreparably damaged one of his hands. Krastner no longer has any zest for living. He tyrannises both his wife and his sister Laurence and divides his time between scuba diving and gambling. After ratcheting up a small fortune in gambling debts, Krastner decides to fake his own death so that he can claim on his life insurance.
Three Faces of Sin
Director of Photography
Three Faces of Sin (French: Le Puits aux trois vérités) is a 1961 French language motion picture comedy directed by François Villiers, based on novel by Jean-Jaques Gauthier. The music score is by Maurice Jarre. The film stars Michèle Morgan, Jean-Claude Brialy, Catherine Spaak and Scilla Gabel. It tells the story of a painter who parts from his mistress and marries her daughter.
The Taste of Violence
Cinematography
Perez kidnaps the President's daughter to trade her for imprisoned revolutionaries.
The Wretches
Director of Photography
Meant to be a psychological study of a dysfunctional couple and an equally unbalanced maid, this slow-paced, murky melodrama stars Michele Morgan and Robert Hossein as Thelma and Jess, two Americans who move into a down-at-the-heels Paris neighborhood. The couple is still suffering from the loss of their only son in an automobile accident that happened some time in the distant past. Thelma tends to drown her sorrows in alcohol, while Jess is introspected and morose. After they hire a maid to help out with the housework, she falls for the taciturn Jess. Her interest seems to be only a simple attraction, yet appearances, as it turns out, are deceiving.
Take Me As I Am
Director of Photography
The director of the Rome office of an American news agency is seduced by his boss' daughter, who subsequently ends up dead at the foot of a cliff. Film adaptation of James Hadley Chase’s 1956 noir thriller novel You Find Him, I'll Fix Him.
Double Agents
Cinematography
Robert Hossein, Marina Vlady, Robert Le Beal. A brilliant "little" spy film. Hossein and Vlady play mysterious characters who meet up one night in a lonely cabin in the wilds of Normandy. They are both spies, but whom do they work for-the Allies or the Nazis.
디아볼릭
Camera Operator
자신의 아내인 크리스티나의 돈으로 구입한 기숙사 학교의 교장 노릇을 하고 있는 미셸 들라살은 아내에게 폭행과 모욕을 일삼는 잔혹하고 인색한 사람이다. 한때 수녀이기도 했던 여리고 착한 여자인 크리스티나는 그런 남편의 구박에 하루도 편할 날이 없다. 그러던 어느 날, 미셸의 정부이자 학교 선생인 니콜 오르네가 크리스티나를 찾아와 미셸을 함께 살해하자고 제안한다. 둘은 학기 중 쉬는 기간을 이용해 니콜의 고향으로 가 이혼하고 싶으니 돈을 돌려달라는 말로 미셸을 유인한다. 격분한 미셸이 달려오고, 두 여자는 독이 든 와인을 마시게 해 쓰러진 미셸을 욕조에 빠뜨려 익사시킨다. 그리고 미셸이 술에 취해 사고로 익사했다고 만들기 위해 학교로 돌아와 시체를 수영장에 던져버린다. 하지만 미셸의 시체는 떠오르지 않고, 크리스티나는 점점 불안과 공포에 시달리게 된다. 결국 크리스티나는 수영장의 물을 다 빼내고 시체를 확인하기로 한다. 그러나 시체는 감쪽같이 사라져 버리고 없다. 그때부터 미셸이 입고 있던 옷이 세탁소에서 배달되는 등 미셸이 살아있다고 믿어질 만한 이상한 사건들이 연속적으로 일어난다.