Gilda Vishki

참여 작품

Subtraction
After a confusing interaction in downtown Tehran, a married couple seems to have found their doppelgängers.
Killing the Eunuch Khan
Thrown back into a dusty 1980s and the height of the Iran/Iraq war, the film is a meditation on the cycles of violence and war and their infectious qualities. Clean, architectural sets are washed over by rivers of blood, as historical grievances are played back like excerpts from a documentary.