Dib Lutfi

It is a realistic musical documentary, mixing the old and the new, exchanging chronological positions, creating a suggestive carousel for the audience. A tribute to Sérgio Ricardo's cinematographic work narrated through the assembly of scenes and tracks taken from the 7 films he directed. In this anthology, the most recurrent theme in the author's work is portrayed: the struggle of the oppressed worker who finds love, music and the community his escape valve.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

David, a man in his twillight years, lives all by himself and decides to invite two childhood friends for a day at his house in Petrópolis, where they spend hours talking about the past.

A group of friends come of age during the political turmoil that plagued Brazil in the 1960's and 70's. Together, these musicians form a band called "Os Desafinados" and become a part of the groundbreaking Brazilian musical movement called Bossa Nova

Through conversations held with fifty four of the most distinguished cinematographers working in Brazil and abroad over the last forty years, the documentary explores the working environment, the new tools and the different styles of the professional who controls the light and the shades behind the camera.

Documentary about the great Brazilian photographers who helped develop Brazilian cinema and their opinions on their work, making movies in Brazil and in general, and other subjects. As a bonus, they all agreed to shoot the same scene following their individual concepts, and the result is shown for comparison.

The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martim Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."

Ana Laura is a 40 year-old, good looking and well-informed TV News Anchor who's also a cocaine addict. Facing her career decline as the channel she works in starts to give more space to younger professionals, she faces a night of unusual events as she dives further into drug abuse.

Brazilian short film, directed by Julia Murat.

A failed artist searching strength to move ahead. By a young lady, who might be his daughter, he develops a project that changes his destiny.

A painter is found dead with a gun in his hand, in his shabby studio in Lapa, a bohemian district in Rio de Janeiro. A brief note is published on a newspaper and, from then on, he becomes a national sensation.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

In a Rio de Janeiro after the catastrophe, only the hills were immune to a flood that left the asphalt submerged. While the Navy is rationing provisions and some are sacrificing themselves to avoid starvation, a diver goes to the bottom of the sea and finds a submerged civilization there.

Exiled in Acapulco, the bon vivant Dino cheats a rich widow into financing his coming back to Brazil. To avoid getting caught, he hides in a coffin. His fake burial is celebrated in high style and it doesn't take long before he starts getting himself into weird situations.

The life of samba composer Noel Rosa.

In Rio de Janeiro's bohemian district called Lapa, during the '40s, a stylish and popular scoundrel exploits a cabaret singer, and earns his living by means of petty swindles. But then he meets Ludmila, the cabaret owner's daughter, who wants to get rich smuggling goods in times of war.

The relationship among three friendly couples turns upside down when two of the men get a job on TV. Their girlfriends leave them, looking for more action in their lives.

Mid-1970s. When the military regime's "economic miracle" and the victory of the Brazilian football team on the World Cup serve as a distraction for the persecution of opposition leaders by the political police of the dictatorship. Under this context, Jofre Godoi da Fonseca, an alienated middle-class man, is mistaken for Sarmento, a political activist he met at an airport prior to his assassination. He is then arrested for being "subversive".

Three mythical African princesses tell how Olorum, lord of the Universe, has created the Earth, according to the Nagô tradition.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

A band of criminals attempt to capture King Mong, a giant gorilla who lives in the jungle, where a tribe worships him as a god. The criminals offer Costinha, the king of the jungle, as a gift to please the god. A mess ensues and all of the inhabitants of the jungle end up in a Brazilian circus. A parody of the 1976 King Kong remake.

A wealthy French promoter based in Rio tries to seduce Alexandra, a young woman of high society, but trapped in her strict education.

18-year-old Glorinha finds herself on the eve of her wedding when a series of revelations plague her and her circle of family and friends. Dr. Camarinha, friend of Sabino, his father, who is a a wealthy construction entrepreneur, says Glorinha's fiancé is homosexual. Glorinha, for his part, reveals to him that she had been a lover of his dead son, Antônioa year ago. Sabino reveals to Noemia, his secretary with whom he ends up having a sexual relationship, who had experienced a homosexual practice as a child and calls her by the name of his daughter. Noemia, in turn, Xavier's mistress, who lives with a leprous woman who has long since cared for, reveals to him that she no longer intends to be his mistress. Glorinha goes with her father to a deserted beach, where she makes insinuations that she loves him and, when kissed by her father, runs desperately and tells her mother that her father had tried to rape her. Xavier, in turn, assassinates Noemia in the office.

In São Paulo, during the 1920s, a woman who is loved by a telegraphist and seduced by a slacker ends up in prostitution.

In the miserable Northeastern Brazil, a ruthless land Baron wants to throw a poor farming community out of their land.

Joana is a sophisticated, beautiful woman, so she has a choice of lovers, and destinies. She will let down Pierre, the French consul at São Paulo, and with him the frivolity of tea-parties and comfort. Her wild inner-soul will develop into the wild forest surroundings of a landlord's farmhouse. To the extent she will defend her land like a 19th century owner - of lands and men alike.

Music manager has to get three of his artists together for a special show, but soon finds out it isn't an easy task.

The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive

Pollution, disaffection, moral decay and social unrest surround a church and its pastor's family heading toward a celebration over the return of its bells.

Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.

Father Simão Bacamarte arrives in the small town of Serafim to investigate a certain phenomenon of madness.

An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.

In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.

A beautiful young woman living in an isolated fishing community on an island falls in love with an outsider, a train machinist. But her father, a violent religious fanatic interferes.

A Brazilian crime film

A long time public servant is told by an angel that he will die at midnight of the following day.

An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive

Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.

Edson is having an affair with a left-wing aspiring movie director during Brazil's military dictatorship years. He tries to get some easy money for her film, but ends up being arrested and tortured as his torturers suspect he's involved in a plot to overthrow the militar government.

A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup and the following dictatorship. Interviews with people in the street disclose their fears, aspirations and political alienation.

In search of a better life, Luzia leaves the Northeast of Brazil and goes to Rio de Janeiro, looking for her fiance who went first to pave their way. Alone in the Marvelous City, she is forced to accept the friendship and protection of Calunga and, later, the company of Inácio.

An amalgamation of accents and life experiences from different parts of Brazil reunited on the city of Brasília.

After visiting a fortune teller, Zulmira is informed that a blonde woman will threaten her peace. After talking to her husband Toninho, she suspects that her cousin Glorinha may be that blonde. In poor health, Zulmira makes all the preparations for the day of her death and asks her unemployed husband to deal with the costs of the coffin and funeral with a man named João Guimarães Pimentel. What Tom doesn't know is that Zulmira and this man hide some secrets that he could never imagine.

Passively facing the repression imposed by military dictatorship in Brazil in the 60s, a journalist gets into a personal crisis, aggravated by his love affair with an industrialist's wife, who doesn't want to leave her home because of her son

Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.

The film follows two men living in a Rio de Janeiro slum: a black shoe-shiner and a white mill worker.