Ricardo Muñoz Suay

A killer is cleaning up the streets of Milan by murdering those considered as deviant. An ornamental dragonfly, soaked in the blood of the victim, is left on each body.

A young girl who survives a plane crash in the jungle grows to adulthood and becomes "Kilma," a feared protector of the jungle who wields a bullwhip.

A group of researchers gathering material for a magazine article on endangered wildlife encounter vampiric leopard women in the heart of the African jungle.

An Indian mystic uses magical chants to raise women from the dead, then sends them out to perform revenge killings for him.

The legendary Loreley has been living for centuries in a grotto beneath the river Rhein in Germany. Every night when the moon is full, she turns into a reptile-like creature craving for human blood. When one girl after another of a nearby boarding school is killed by her, a hunter named Sigurd is engaged to kill the monster.

In Medieval France a warlock is be-headed and his wife tortured and executed. Hundreds of years later an isolated group of people discover his head buried on their property. Soon it comes back to life, possessing people and using them to commit sacrifices and to search for the rest of his body.

Count Dracula's pregnant granddaughter arrives at his castle, along with her husband, who is not a vampire. While she prepares to give birth to a new member of the Dracula line, her husband secretly launches into a series of affairs with the Count's resident "brides."

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral. - IMDb

In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral. - IMDb

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Lorenzo is a young man who has just returned to Salamanca (Spain) from England, where he fell in love with Berta, a girl daughter of exiled parents who have never seen Spain. Lorenzo tries through some beautiful letters that she understands how is the world where her parents once lived.

Manager Marletti goes to the sea to meet his wife Giuliana to spend the weekend with her and many friends. After three days Marletti comes back driving his car to Rome. So he can sleep, alone and happy, with silence around him.

After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...

Miguel, a poor young man living in Franco's Spain becomes a bull fighter to escape starvation.

Miguel, a poor young man living in Franco's Spain becomes a bull fighter to escape starvation.

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

Robert Lafleur (Scaramouche) is an actor in 18th century France who spends most of his time, including when he should be on stage, light-heartedly having love affairs and generally enjoying life. One day, a marquis visits him and asks him questions about the birth mark on his shoulder...

사형집행이라는 진지한 소재를 신랄한 유머로 버무린 블랙 코미디. 무덤 파는 일을 하는 호세 루이스는 사형집행인의 딸 카르멘과 결혼한다. 빈털터리인 그는 새 집을 분양받기 위해 자신의 뜻과는 무관하게 장인의 기피직업을 물려받는다. 휴양지인 팔마에서 첫 사형을 집행해야 하는 상황에 처한다.

San Ginés de la Sierra is a small village lost in the mountains in southern Spain. It is known throughout the region for two peculiar characteristics: its "persistent" drought and a "Home of the Vanquished". This "home" is an institution that houses some twenty old people, to whose care are eleven nuns and crosses a distressing economic situation. The nuns are desperately seeking a solution and decide to hold a charity bulls run.

San Ginés de la Sierra is a small village lost in the mountains in southern Spain. It is known throughout the region for two peculiar characteristics: its "persistent" drought and a "Home of the Vanquished". This "home" is an institution that houses some twenty old people, to whose care are eleven nuns and crosses a distressing economic situation. The nuns are desperately seeking a solution and decide to hold a charity bulls run.

Buenos Aires, Argentina, New Year's Eve. Several people are trapped inside an elevator located in an office building.

수녀원에서 생활하던 비리디아나는 수녀가 되기 전 마지막으로 후원자인 아저씨를 방문한다. 후원자는 비리디아나가 신혼 첫날 밤 안타깝게 죽은 아내를 빼닮은 것에 마음이 흔들려 그녀를 잠재워 겁탈을 시도한다. <최후의 만찬>을 패러디한 장면으로 유명한 루이스 부뉴엘의 설명이 필요없는 걸작.

Salvatore, known as "bread loaf", escapes from Caltanissetta's brewery to find his mother he never met. Before arriving in Venice, he stays in a small sea village where he meets people of various kinds.

Eudosio and Carlos were imprisoned by mistake. Now out of prison, are trying to get a job and to adapt to a society that rejects them.

An expulsive star of a variety theatre cannot decide between the love of an honest archaeology professor and the love of an extravagant official who turns himself into a cabaret comedian in his sparetime.

Love in a Hot Climate (Spanish: Sangre y luces, French: Sang et lumières) is a 1954 Spanish-French drama film directed by Georges Rouquier and Ricardo Muñoz Suay. It was entered into the 1954 Cannes Film Festival.

Juan and Carmen are a humble couple living in Madrid. She does the housework and he works as an electrician in a film studio. Their dreams of wellness come true when they win a contest sponsored by a soap brand.

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.