Marcos Prado

In the 1990s, two brothers were accused of murdering eight women, one man and one child in the Serra dos Órgãos region. In the eyes of the suspects, Sergeant Téo realizes that the trial of the press, police and local society is fundamentally racist, and begins to have doubts about the conviction of one of them. Based on a true story, the film is a work of fiction about the famous case of the "Necrophil Brothers."

In the 1990s, two brothers were accused of murdering eight women, one man and one child in the Serra dos Órgãos region. In the eyes of the suspects, Sergeant Téo realizes that the trial of the press, police and local society is fundamentally racist, and begins to have doubts about the conviction of one of them. Based on a true story, the film is a work of fiction about the famous case of the "Necrophil Brothers."

The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.

Marco ‘Curumim’ Archer’s life changed abruptly when police at Jakarta airport seize 13.5 kilogrammes of cocaine hidden in his hang-glider. At first he manages to escape, hiding out in Indonesia for sixteen days before being arrested and sentenced to death. Eleven years later, on 17 January 2015, he was executed for drug dealing.

Marco ‘Curumim’ Archer’s life changed abruptly when police at Jakarta airport seize 13.5 kilogrammes of cocaine hidden in his hang-glider. At first he manages to escape, hiding out in Indonesia for sixteen days before being arrested and sentenced to death. Eleven years later, on 17 January 2015, he was executed for drug dealing.

Marco ‘Curumim’ Archer’s life changed abruptly when police at Jakarta airport seize 13.5 kilogrammes of cocaine hidden in his hang-glider. At first he manages to escape, hiding out in Indonesia for sixteen days before being arrested and sentenced to death. Eleven years later, on 17 January 2015, he was executed for drug dealing.

The documentary seeks to contribute to the construction of the memory of the World Cup in Brazil, in 2014, launching a reflection on the multiplicity of possible views about the phenomenon of this event and generating a historical document on the relationship between politics and football in the country.

Daniel turns 20 and has the night in his life that will redefine who he is, his future and his moral self.

과거와 또 다른 과거, 그리고 현재… 20대 청춘 난도와 에리카, 두 남녀의 뜨거운 만남과 헤어짐을 그린 사랑이야기! 암스테르담을 여행하던 중 클럽에서 DJ ‘에리카’를 다시 만나 뜨거운 사랑을 나누게 되는 ‘난도’. 몇 년 전, 브라질 최대 비치 페스티벌에서 음악에 취해 술과 마약을 즐기던 중 ‘난도’를 만나 잊지 못할 뜨거운 사랑을 경험하게 되는 ‘에리카’. 몇 년 후, 가족들과의 갈등으로 힘들어하는 ‘난도’와 결국 다시 재회하게 되는 ‘에리카’. 음악과 사랑, 그리고 청춘을 즐겨라! 욕망 가득한 청춘들의 사랑 이야기가 시작된다!

브라질의 S.W.A.T팀으로 불리는 ‘보피’부대는 브라질 최악의 갱들만을 수감하는 감옥 ‘반구 원’에서 폭동이 발생하자 이를 진압하기 위해 곧바로 투입된다. ‘보피’의 팀장인 ‘나시멘투’ 대령은 대원들을 감옥 주요 진입로에 배치시키고 작전을 지휘한다. 그러나 인권문제로 인한 후폭풍이 두려운 나머지 정부는 진압 명령을 내리지 않고 ‘보피’를 대기시킨다. 이 때, 인권협회장인 ‘프라가’가 사건의 원만한 해결을 위해‘반구 원’ 감옥에 도착하고 폭동의 주동자인 ‘베이라다’와 협상을 벌인다. 협상의 내용은 인질로 잡혀 있는 교도관 2명을 풀어주면 사건을 원하는 방향으로 정리해 주겠다는 것. 이에 ‘베이라다’가 인질 2명을 풀어주는 순간 ‘나시멘투’의 대기 명령을 어긴 ‘마티아즈’ 대위의 발포로 ‘베이라다’가 총에 맞아 즉사하고 폭동은 진압된다. 그러나 이 장면을 목격한 인권협회장 ‘프라가’는 현장의 모든 일을 언론에 폭로하게 되고, 이 사건으로 인해 ‘나시멘투’를 징계하자는 의견이 인권협회와 좌파 정치인 사이에 대두 되지만 국민들은 악랄한 갱단의 두목이 제거된 것에 환호하며 오히려 ‘나시멘투’를 지지하는 목소리가 높아진다. 이에 정부는 ‘나시멘투’를 ‘보피’부대 사령관에서 보직 해임하는 대신 정보부 차관으로 승진 발령시켜 사태 진압에 나서는데...

What happens when western anthropologists descend on the Amazon and make one of the last unacculturated tribes in existence, the Yanomami, the most exhaustively filmed and studied tribe on the planet? Despite their "do no harm" creed and scientific aims, the small army of anthropologists that has studied the Yanomami since the 1960s has wreaked havoc among the tribe - and sparked a war within the anthropology community itself.

1980년대 중반 폴란드 출신 교황 바오로 6세가 브라질 리우데자네이로에 세 번째 방문을 하는데 하필 유명한 슬럼가 favela 역의 한 호텔에 묵는다고 고집을 피운다. 국민의 95% 이상이 천주교인이기 때문에 교황이 위태로워져서도 안되고 한 방의 총소리도 근처에서 들리지 않게 하기 위해 브라질 정부는 몸살이 난다. 교황방문 6개월 전, 극심한 부패로 경외와 경멸을 동시에 받으며 경찰 위신은 바닥에 떨어져 있는 상태에 언제 어디서 총을 맞을지 모르는 이 지역에 두 명의 경찰 신참이 들어오는데...

The documentary brings new philosophical statements by Dona Estamira and portrays her relationship with her friends who inhabit the Jardim Gramacho Sanitary Landfill, in Rio de Janeiro.

The documentary brings new philosophical statements by Dona Estamira and portrays her relationship with her friends who inhabit the Jardim Gramacho Sanitary Landfill, in Rio de Janeiro.

Estamira is a 63-year-old woman who suffers from schizophrenia. She leads a tough life and has supported herself for the past 20 years by picking through garbage at the Jardim Gramacho Disposal Area in Rio de Janeiro. The film follows her starting in 2000, the year she begins treatment in a psychiatric clinic. At first, it is hard to understand her in her stream-of-consciousness sentences, delusions and obsessions. Gradually, however, we get to know her as a woman who can have quiet and lucid moments despite her illness.

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.

This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.

This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.