Anne-Marie Kuster

Finally adult and free? You wish! His father sees him as a future boss of the family-owned printing firm and his mother only wants the best for him. Sebastian can’t take it any more. On his eighteenth birthday he announces his departure to Geneva to work as an au pair in a family, looking after children and doing the household chores. To improve his French, of course! His father flips his lid, his mother is distraught. Only his sister Kathrin thinks her little brother is really cool… Very few men would be up to the challenge!

The main characters in this film are wives of rich men who have nothing to do because they have staff – like the cook, the maid, the hairdresser, the manicurist, the governess, the teacher, the tailor etc. – who work for them. Naturally, the wives themselves do not pursue careers, they depend on their husbands’ money. This is why most of their thoughts revolve around the husband. And because the husband only appears as “the” man, there is no man in this film. All women fight for the same man. Those who have one, want to keep him no matter what. And those who do not have one yet only have one goal: To take away somebody else’s husband.

A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.

학교를 졸업하고 일자리를 구하던 17세 소년 마이크는 런던 교외의 한 목욕탕에 취직한다. 목욕탕을 들락거리는 중년의 여성이나 또래의 여자아이에게 성적인 유혹을 받지만 그의 관심사는 그곳에서 일하는 몇 살 연상의 여인 수잔이다. 일이 끝나면 그녀를 미행하기도 하고 포르노 극장과 사창가도 지나가던 마이크는 수잔의 남자 관계를 알게 되면서 그녀에게 점점 집착하는데...

Zbynek Brynych's forgotten masterpiece "Oh Happy Day" is best described as coming-of-age-psychedelia.