Writer
It tells the story of the Austrian author Ingeborg Bachmann and her life in Berlin, Zurich and Rome, her relationship with Frisch, her trip to Egypt and her radical texts and readings.
Director
It tells the story of the Austrian author Ingeborg Bachmann and her life in Berlin, Zurich and Rome, her relationship with Frisch, her trip to Egypt and her radical texts and readings.
Margarethe von Trotta
영화 원제인 ‘Komm mit mir in das Cinema’(영화관으로 가자)는 사랑을 영화 속에서 찾을 수 있다고 썼던 엘제 라스커쉴러의 1937년도 시에서 가져온 것이다. 영화를 둘러싼 여러 담론과 관점에 있어서 전후 독일영화의 역사를 크게 확장시킨 에리카와 울리히 그레고어가 함께할 수 있었던 것은 바로 영화에 대한 사랑 덕분이었다.
Self - Filmmaker
Margarethe von Trotta, one of the few icons of German directing, internationally revered as a star director, celebrates her 80th birthday: her works are among the most important in German cinema of all time.
Self
The story of the legendary star Alida Valli through the unpublished words of her letters and diaries, enriching it with other exclusive materials: photographs, family film in 8mm, new interviews with her sons, relatives, friends and collaborators, and much more archive material.
Herself
Portrays the film star Mario Adorf and his passion for acting, the stage, the cinema, singing and writing. Together with the director Dominik Wessely, the film comes closer to Mario Adorf as a person and highlights important stations of his private life and his international career. When Mario Adorf begins to talk about his life, over 60 years of theatre and film history come to life. A dialogue with him is not only a retrospective, but also an intensive exchange of ideas about film and theatre and his view of the world, love and ageing.
herself
Writer
잉마르 베리만 탄생 100주년을 기념해서 국제적으로 널리 알려진 감독 마가레테 폰 트로타는 베리만의 삶과 작품들을 조명한다. 그와 가장 가깝게 협업했던 이들과 새로운 세대의 영화 연출가들이 그에 관한 이야기를 나눈다. 이 다큐멘터리는 베리만이 남기고 떠난 작품들의 주요 요소를 밝히는 동시에 그의 삶에서 되풀이되었던 주제들의 발자취를 따라나선다.
Herself - Filmmaker
잉마르 베리만 탄생 100주년을 기념해서 국제적으로 널리 알려진 감독 마가레테 폰 트로타는 베리만의 삶과 작품들을 조명한다. 그와 가장 가깝게 협업했던 이들과 새로운 세대의 영화 연출가들이 그에 관한 이야기를 나눈다. 이 다큐멘터리는 베리만이 남기고 떠난 작품들의 주요 요소를 밝히는 동시에 그의 삶에서 되풀이되었던 주제들의 발자취를 따라나선다.
Director
잉마르 베리만 탄생 100주년을 기념해서 국제적으로 널리 알려진 감독 마가레테 폰 트로타는 베리만의 삶과 작품들을 조명한다. 그와 가장 가깝게 협업했던 이들과 새로운 세대의 영화 연출가들이 그에 관한 이야기를 나눈다. 이 다큐멘터리는 베리만이 남기고 떠난 작품들의 주요 요소를 밝히는 동시에 그의 삶에서 되풀이되었던 주제들의 발자취를 따라나선다.
Herself
West Germany in the 1970s. Many artists, journalists and intellectuals were branded as sympathizers of Baader-Meinhof's left-wing terrorism. The parents of the director, too: Margarethe von Trotta and his stepfather, Volker Schlöndorff. With extensive archive materials and film clips as well as Margarethe von Trotta's private diaries the film portrays one German family and the society of the time.
Director
A German woman in New York is busy redesigning her life from model to designer, but is forced to live with her husband’s ex-wife when he disappears.
Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.
Writer
By chance Paul Kromberger discovers on the internet a photograph of the US opera diva Caterina Fabiani who is the spitting image of Evelyn, his dead wife. His unease and growing sense of alarm are transferred to his daughter, Sophie. Filled with curiosity, she leaves Germany and journeys across the Atlantic to make contact with this stranger.
Director
By chance Paul Kromberger discovers on the internet a photograph of the US opera diva Caterina Fabiani who is the spitting image of Evelyn, his dead wife. His unease and growing sense of alarm are transferred to his daughter, Sophie. Filled with curiosity, she leaves Germany and journeys across the Atlantic to make contact with this stranger.
Sé stessa
Self
Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
Herself
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
Screenplay
독일계 유대인 철학자이자 정치 사상가인 한나 아렌트가 1960~1964년까지 겪었던 실화를 다루었다. 한나는 나치 전범인 칼 아돌프 아이히만의 재판 내용을 보며, “악의 평범성”을 개념화한다. 하지만 그녀의 행동은 가족, 유대계 커뮤니티와 사상계 등 모든 사람의 반대에 부딪히게 된다. 사회적 반감과 살해 위협 속에서도 자신의 주장을 굽히지 않았던 한나 아렌트. , 에 이은 강인한 실존 여성 인물 3부작의 완성!
Director
독일계 유대인 철학자이자 정치 사상가인 한나 아렌트가 1960~1964년까지 겪었던 실화를 다루었다. 한나는 나치 전범인 칼 아돌프 아이히만의 재판 내용을 보며, “악의 평범성”을 개념화한다. 하지만 그녀의 행동은 가족, 유대계 커뮤니티와 사상계 등 모든 사람의 반대에 부딪히게 된다. 사회적 반감과 살해 위협 속에서도 자신의 주장을 굽히지 않았던 한나 아렌트. , 에 이은 강인한 실존 여성 인물 3부작의 완성!
Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).
Director
Art Direction
Hildegard von Bingen was truly a woman ahead of her time. A visionary in every sense of the word, this famed 12th-century Benedictine nun was a Christian mystic, composer, philosopher, playwright, poet, naturalist, scientist, physician, herbalist and ecological activist.
Screenplay
Hildegard von Bingen was truly a woman ahead of her time. A visionary in every sense of the word, this famed 12th-century Benedictine nun was a Christian mystic, composer, philosopher, playwright, poet, naturalist, scientist, physician, herbalist and ecological activist.
Director
Hildegard von Bingen was truly a woman ahead of her time. A visionary in every sense of the word, this famed 12th-century Benedictine nun was a Christian mystic, composer, philosopher, playwright, poet, naturalist, scientist, physician, herbalist and ecological activist.
Director
Successful architect Robert has a one-night stand with a mysterious lady in red. The next day they meet again, but Carolin is now a corporate lawyer working on a major contract for Robert ...
Herself
A documentary by Hans Günther Pflaum and Peter H. Schröder.
Director
A German couple travels, shortly after reunification, to the Netherlands. Happiness does not last long. The wife receives a letter from an unknown woman.
Screenplay
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Director
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Writer
Margarethe von Trotta's TV movie focuses on a woman whose life is destroyed by her addiction to alcohol. Angela Rinser is a happy mother of two children and quite successful in her job as bilingual secretary. The sudden death of her husband changes everything. She starts drinking and loses her job. Her children Felicitas and Max try to hush up their social decline for years because they don't want to live in a foster home.
Director
Margarethe von Trotta's TV movie focuses on a woman whose life is destroyed by her addiction to alcohol. Angela Rinser is a happy mother of two children and quite successful in her job as bilingual secretary. The sudden death of her husband changes everything. She starts drinking and loses her job. Her children Felicitas and Max try to hush up their social decline for years because they don't want to live in a foster home.
Director
Writer
Director
Writer
베를린 장벽이 세워진 1961년 직후 서독으로 탈출을 결행한 동독의 젊은이들 중 서로 헤어지게 된 두 남녀의 슬픈 사랑.탈출에 실패해 동독에 잔류한 콘라드는 서독으로 넘어간 여자친구 소피와 장벽을 넘는 사랑의 "약속"을 하지만, 이약속은 28년 동안 지속된 동서독의 갈등과 대립으로 인해 지켜지지 못한다. 둘은 결국 베를린 장벽이 붕괴하던 날 감격스런 재회를 하지만 이들간의 약속은 이미 깨진 상태이며 이후의 미래 또한 불확실하다.
Director
베를린 장벽이 세워진 1961년 직후 서독으로 탈출을 결행한 동독의 젊은이들 중 서로 헤어지게 된 두 남녀의 슬픈 사랑.탈출에 실패해 동독에 잔류한 콘라드는 서독으로 넘어간 여자친구 소피와 장벽을 넘는 사랑의 "약속"을 하지만, 이약속은 28년 동안 지속된 동서독의 갈등과 대립으로 인해 지켜지지 못한다. 둘은 결국 베를린 장벽이 붕괴하던 날 감격스런 재회를 하지만 이들간의 약속은 이미 깨진 상태이며 이후의 미래 또한 불확실하다.
Self
A meditation on the first 100 years of German cinema, featuring some of its greatest directors.
Director
Marco is a judge investigating a case of arms trafficking, one of the judges to fight against corruption of Italian political life. Carla, his wife, lives dominated by the fear that her husband will be murdered and, unfortunately, her fears are realized. She decides to join a group of widows of judges to break the silence that has always protected the crimes of the Mafia, who always act in collusion with influential public figures. With the help of the group and the notes and documents of her husband, Carla produces a television documentary that endangers the lives of many people.
Writer
Serious, logical Martha (Barbara Sukowa) and dreamy, superstitious Anna (Stefania Sandrelli) have been best friends. That is, until Martha's lover Victor (Sami Frey) decides he'd rather be Anna's lover. Mortified, Martha flees to Africa, leaving the field clear for her ex-friend. When Anna comes down with cancer, she pleads with Victor to get her to come back and somehow put this rupture in their friendship behind them. Curiously, Martha does come back, and after some understandable tension and a few bitter words, they manage to reestablish their friendship, though it is now on a different basis.
Director
Serious, logical Martha (Barbara Sukowa) and dreamy, superstitious Anna (Stefania Sandrelli) have been best friends. That is, until Martha's lover Victor (Sami Frey) decides he'd rather be Anna's lover. Mortified, Martha flees to Africa, leaving the field clear for her ex-friend. When Anna comes down with cancer, she pleads with Victor to get her to come back and somehow put this rupture in their friendship behind them. Curiously, Martha does come back, and after some understandable tension and a few bitter words, they manage to reestablish their friendship, though it is now on a different basis.
Self
Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.
Screenplay
An adaptation of a classic "Three Sisters" play by Anton Chekhov.
Director
An adaptation of a classic "Three Sisters" play by Anton Chekhov.
Writer
Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...
Director
Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...
Writer
1896년 로자 룩셈부르크는 독일의 민주정부 설립과 폴란드의 혁명을 위해 투쟁하면서, 그녀의 정치적 재능을 모든 사람에게 인정받게 된다. 그러나 레오 요기헤스(다니엘 올브리쉬스키 분)와 긴밀히 협동하면서 그들의 정치적 활동은 개인적인 관계에 어려움을 가져오게 된다. 국제적 긴장감이 감돌자 로자는 전쟁과 군국주의를 비난하는 연설을 하게 되고 그녀의 사회주의자 동지들은 로자를 급진적 인사로 치부하게 된다.
Director
1896년 로자 룩셈부르크는 독일의 민주정부 설립과 폴란드의 혁명을 위해 투쟁하면서, 그녀의 정치적 재능을 모든 사람에게 인정받게 된다. 그러나 레오 요기헤스(다니엘 올브리쉬스키 분)와 긴밀히 협동하면서 그들의 정치적 활동은 개인적인 관계에 어려움을 가져오게 된다. 국제적 긴장감이 감돌자 로자는 전쟁과 군국주의를 비난하는 연설을 하게 되고 그녀의 사회주의자 동지들은 로자를 급진적 인사로 치부하게 된다.
Writer
Story of the relationship between two women. Ines, a successful career woman, and Monika, whom Ines takes in after she has attempted suicide.
Jutta
Writer
Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
Director
Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
Writer
Georg Laschen leaves his family in West Germany to go work as a war correspondent in Beirut during the fights between Christians and Palestinians.
The reunion of a group of former medical students results in a flood of bitter memories.
Writer
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.
Director
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.
Writer
Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?
Director
Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?
N°576
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Self
독일 대표 감독들이 공동연출한 "독일의 가을"은 뚜렷한 플롯이 없다. 이 영화는 다큐멘터리와 극영화 장면들을 혼합하여 1977년 붉은 여단으로 알려진 두 명의 좌파 테러리스트에 의해 납치되어 살해당한 한 사업가의 2달간의 행적을 좇는다. 붉은 여단의 지도자였던 바데르, 엔슬린, 라스페는 그들을 석방시키려는 납치와 비행기 공중 납치 시도가 모두 실패하자, 감옥에서 함께 자살을 감행한다. 이 세 사람은 실제로는 국가에 의해 살해되었다는 믿음이 좌파 공동체 사이에 팽배하였다. 이 영화에는 거장 감독 파스빈더가 당시 독일의 정치적 상황에 대해 어떻게 생각하는지에 대해 논하는 장면들이 포함되어 있으며, 그가 촬영한 장면들은 모두 실제 다큐멘터리 장면으로 느껴지지만, 사실은 모두 연출된 것들이다. 이 영화에는 이 세 붉은 여단 지도자들의 영결식 장면을 촬영한 다큐멘터리 장면들도 포함되어 있다
Writer
Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.
Director
Three people rob a bank to help a day care center that's in debt. Wolf is captured, Werner identified, police suspect Christa is the third. She and Werner ask Hans, a clergyman, to launder the money and give it to the kindergarten. He refuses. They try Ingrid, Christa's friend, who tries to help, but the school rejects the money. When tragedy strikes Werner, Hans helps Christa bolt to a collective in Portugal. Ingrid visits her; their relationship makes the collective nervous, so she returns to Germany and ceases living in hiding. The police are still looking for her and so is a witness to the robbery, Lena, a bank clerk. Lena's interest brings Christa's second awakening.
Frau mit Kind
A man who is dissatisfied with his senseless existence in his family-life and social status steals the uniform of a policeman and then enters the Oktoberfest. Now he is somebody, he is important, he can help, people respect him, etc. His wife, other relatives and some friends start to follow him while he gets some new acquaintances. (IMDB review)
Writer
A countess loves her brother's Prussian-officer friend in the 1919 Baltic area.
Sophie de Reval
A countess loves her brother's Prussian-officer friend in the 1919 Baltic area.
Schwimmlehrerin
Munich Heinz and Herbert wants to escape the torturous confines of their home by swimming across the Atlantic.
Adaptation of a story by Henry James.
An anxious teacher (played, as is the lead role in all his films, by the director) sits in a beer garden on the hill of the Andechs monastery. While flies drown in his mug of beer, he confronts a life of failure: the wife he ignored, the child he neglected, the teaching duties he has shirked, and his doomed efforts at winning tenure from school officials. Only a dream from the past-the memory of a former liaison with a film star with whom he shared "the Andechs feeling, a feeling that we are not alone" - provides sustenance. Despite an unexpected series of events, longing in Achternbusch's world ultimately remains stronger than fulfilment and thirst better than beer.
Director
직업이 가정부인 이혼녀 카타리나 블룸은 어느날 카니발 파티에서 만난 한 젊은 남자를 그녀의 아파트로 데려온다. 다음날 아침 느닷없이 경찰이 들이 닥쳐 그녀의 아파트를 수색하고 그녀는 경찰에 불려가 심문을 받게 된다. 이유는 그녀의 아파트에서 잔 그 남자는 경찰이 찾고 있는 테러범이라는 것이다. 이 사건이 언론에 알려지면서 그녀는 말할 수 없는 수모를 겪게 되는데.....
Screenplay
직업이 가정부인 이혼녀 카타리나 블룸은 어느날 카니발 파티에서 만난 한 젊은 남자를 그녀의 아파트로 데려온다. 다음날 아침 느닷없이 경찰이 들이 닥쳐 그녀의 아파트를 수색하고 그녀는 경찰에 불려가 심문을 받게 된다. 이유는 그녀의 아파트에서 잔 그 남자는 경찰이 찾고 있는 테러범이라는 것이다. 이 사건이 언론에 알려지면서 그녀는 말할 수 없는 수모를 겪게 되는데.....
Paulette
Claude Chabrol film for TV based on the short story An Invitation to the Hunt by Georges Hitchcock. Receiving an unexpected invitation to participate in the annual hunt party given by the local marquis, a common man deludes himself into thinking he’s a valued member of society, gets in debt to live up to his own fantasies, puts on airs, and invents a perfectly untrue—but, to his mind, fitting—past for a man of his new station. Then the cruel game starts.
Katja
Television film.
Ulla Werther
Elisabeth Junker
A divorced woman in her thirties fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.
Writer
A divorced woman in her thirties fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.
Assistant Director
Doris Vogelsang
Babs
일군의 영화촬영팀이 스페인에서 감독과 주연배우, 제작비가 도착하기를 기다리고 있다. 하지만 배우는 도무지 나타나지 않고, 제작자금과 필름 역시 소식이 없다. 팽팽한 긴장 상황이 지속되면서, 촬영팀 내에는 갈등과 좌절, 공격성, 이기주의, 무기력이 팽배해간다. 마침내 주연배우와 함께 도착한 감독이 혼란을 정리해보려 하지만 뒤얽힌 문제는 쉽게 해결되지 않는다. 촬영현장을 배경으로 다양한 욕망의 갈등을 다루며 영화 만들기의 의미를 묻고 있는 영화.
Sophie
An intriguing Hans Christian Anderson-style fairy tale aesthetic and voice over narration. Sudden Wealth is a despairing chronicle of a group of starving peasants who finally seize governmental wealth like a dysfunctional group of Robin Hood's Merry Men, only to be betrayed by their inescapable selves and systematically dehumanized (think bucolic Orwell) and reprogrammed by what we'll put under the rubric of God and Country.
Writer
An intriguing Hans Christian Anderson-style fairy tale aesthetic and voice over narration. Sudden Wealth is a despairing chronicle of a group of starving peasants who finally seize governmental wealth like a dysfunctional group of Robin Hood's Merry Men, only to be betrayed by their inescapable selves and systematically dehumanized (think bucolic Orwell) and reprogrammed by what we'll put under the rubric of God and Country.
Ute
Maid
독일 태생의 미국인 청부살인업자 리키는 뮌헨 경찰로부터 사건처리를 부탁받는다. 할리우드 장르영화의 영향을 받은 이 작품은 "사랑은 죽음보다 차갑다", "저주의 신들"에 이은 갱스터 영화 3부작의 완결판이다.
Margarethe
감옥에서 출소한 프란츠 발쉬는 또다시 과거 사람들과 접촉을 시도한다. 프란츠는 애인 조안나에게 돌아가지만 곧 마가레테 때문에 조안나와 헤어지고 형 마리안을 찾아간다. 마리안은 귄터신디케이트의 지시를 따르지 않아 피살된다. 마리안은 수퍼마켓 습격을 계획했지만 이중으로 배신을 당한다. 즉 조안나로부터는 보복을 당하고, 마가레테로부터는 사랑의 배신을 당하게 된다. 이 습격으로 프란츠와 수퍼 주인이 피살된다.
Gitte
Drama about the life of a travelling salesman.
Sophie
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
Anka
A drama set in Cologne’s revolutionary circles of the late 1960s.
Helga
Melodrama set in Hamburg's red light district.
Zimmermädchen
Non-US directors speak about the idiosyncrasies of filmmaking in their respective countries. Because of the difficulty of financing, very few American film directors establish a body of work. For American women directors, the problem is two-fold. But in Europe, Canada, and some countries of South America, filmmaking is often government subsidized, making it possible for filmmakers to become prolific in their craft.
This documentary premiered at the Kennedy Center in Washington, DC. Explore the challenging world of the screenwriter with renowned industry writers.
Self
The heart of the legs.
