Daniel Pommereulle
출생 : 1937-04-15, Sceaux, Hauts-de-Seine, France
사망 : 2003-12-30
약력
Daniel Pommereulle passed away in December 2003, leaving a very diverse and complexe but also peculiar and premonitory work. According to Alain Jouffroy's phrase, he was associated to the "Objectors" (les "Objecteurs"). Despite some important exhibitions (Fin de siècle presented in 1975 at National Center for Contemporary Art - Georges Pompidou, or the retrospective exhibitions at the Dole and Belfort museums in 1991) and a growing aura, this work, certainly one of the most importants of the second half of the 20th century in France, remains unknown and secret. From the 1980's to the 1990's he concentrates on the transparency theme with layouts of glass, paper and steel. As an actor, he started with Eric Rohmer's La Collectionneuse in 1967 and played in a dozen of movies, among which François Truffau's La mariée était en noir ( The Bride Wore Black), Jean-Luc Godard's Week-End and Les Idoles by Marc'O are noteworthy. In 1972, he takes part in La Cicatrice Intérieure (The Inner Scar) by Philippe Garrel whom he'll join again 27 years later for Le Vent de la nuit(Night Wind).As a film director One More Time (1967) and Vite(Fast, 1969) are the most noticeable movies for which he successively created a suicide machine and shot sequences through a telephoto lens or a telescope, leading to an apology of the desert and the planet Saturn.
L'éditeur
People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by
Jean le sculpteur
A housewife's affair with a younger man goes nowhere.
N°2023
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Sheperd
벨벳 언더그라운드의 멤버였던 니코와의 10년의 결혼 기간 중에 만든 7편의 영화 중 첫 번째 영화로 1970년대 가렐의 영화적 실험의 진수를 느낄 수 있는 작품이다. 이집트의 사막, 한 여자가 앉아 “숨을 쉴 수가 없어. 나를 도와줘”라며 울부짖는다. 한 남자가 나타나지만 그는 그녀를 외면하고는 사막의 광대한 거리를 그저 끊임없이 걷기만 한다. 여자는 그를 뒤쫓지만 남자는 계속 멀어져만 간다.
Barbara (Monica Vitti) is a journalist investigating the local counterculture who becomes involved, after an unpleasant start of battery and stalking, with Pierre Clémenti's louche all-around dropout.
Writer
In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive
In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive
Director
In 1969, the painter-sculptor Daniel Pommereulle made his third film, this one financed by Sylvina Boissonnas. Although only a short, Vite was one of the most costly of all the Zanzibar productions. It features, for instance, shots of the moon taken by a state-of-the-art telescope, the Questar, that Pommereulle first saw while visiting Marlon Brando in southern California in 1968. In Rohmer’s La Collectionneuse, Pommereulle and his friend Adrien philosophize on how best to achieve le vide (emptiness) during their summer holidays. Three years later, Pommereulle would transform the word “vide” to “vite” (quickly), signifying his profound disenchantment with the aftermath of the revolution of May ’68. —Harvard Film Archive
This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.
Fergus's Friend
Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her. What is her goal? What is her purpose?
Writer
A young woman decided to make a show of her death she is going to look at during the whole film. We will see the progressive and long descent of a murderous machine which may pierce her throat.
Director
A young woman decided to make a show of her death she is going to look at during the whole film. We will see the progressive and long descent of a murderous machine which may pierce her throat.
Joseph Balsamo
주말에 여행을 떠나는 한 부르주아 커플을 통해 그들 계급이 지닌 허위의식을 적나라하게 비판한 작품, 식인, 변태적 성행위, 동물의 도살 등 카니발리즘과 포르노그라피적 요소가 가미되어 자본주의에 대한 경멸감을 심어준다.
Dialogue
아드리앙은 약혼자가 없는 사이 평화롭고 금욕적인 휴가를 보내려고 지중해의 별장으로 떠난다. 그런데 별장에는 이미 친구 다니엘과 그가 데려온 소녀가 묵고 있다. 연인 수집이 취미인 소녀는 밤이면 남자들과 어울리고, 그녀로 인해 아드리앙이 소망한 금욕적인 휴가는 혼란에 빠진다.
Daniel
아드리앙은 약혼자가 없는 사이 평화롭고 금욕적인 휴가를 보내려고 지중해의 별장으로 떠난다. 그런데 별장에는 이미 친구 다니엘과 그가 데려온 소녀가 묵고 있다. 연인 수집이 취미인 소녀는 밤이면 남자들과 어울리고, 그녀로 인해 아드리앙이 소망한 금욕적인 휴가는 혼란에 빠진다.
