Anna Brüggemann

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

After a Jewish boy was harassed by his classmates for months, an argument breaks out between the overwhelmed parents, the class teacher and the school management.

갑자기 나라 전체가 변화에 휩싸인다고 상상해 보라. 이것이 1933년, 바로 9살 소녀 안나에게 일어난 일이다. 안나는 처음에는 히틀러가 누구인지 몰랐다. 그러나 안나의 아버지가 어느 날 불현듯 실종되었을 때, 안나는 히틀러라는 사람이 그녀의 삶 뿐 아니라 유럽 전체를 바꾸게 될 것이라는 것을 직감했다. 안나는 가장 좋아하는 핑크 토끼 인형을 뒤로 한 채 스위스로, 파리로 떠나야만 한다. (2021년 제16회 부산국제어린이청소년영화제)

The story of a married but separated couple Matthias and Anna, although the wounds are still open, together planning the birthday-party of their son Lukas. When, at the end of the party, little guest Julius isn't picked up by his parents, a rapid chain of events take place.

세상에 눈 감은 천재 작가 그리고 현실에 눈을 뜬 여자 사고로 아내와 시력을 잃은 베스트셀러 작가 ‘빌’ 그 이후 집필을 중단하고 더 까칠해진 그에게 만만치 않은 새 봉사자 ‘수잔’이 배정된다. 펜트하우스, 다이아몬드 반지, 상류층 파티 화려한 삶을 사는 ‘수잔’은 범죄에 연루되어 사회봉사를 선고받고 그곳에서 ‘빌’을 마주하게 된다. 고집 센 그에게 지지 않고 당차게 맞서는 그녀 서로에게 점차 다가가는 두 사람은 삶의 빛을 되찾기 시작하는데…

In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.

A dark cloud is creeping over Berlin. As the citizens go about their daily activities, Kore is haunted by a black shadow – a menacing memory from the past. Meanwhile, a full-grown bear escapes from its cage, throwing the whole city into a panic. There is no way out – Kore must face her worst fear.

An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

엄격한 집안 속 순종적인 종교 생활을 이어가던 ‘마리아’. 어느 날 같은 수업을 듣는 밝은 성격의 '크리스찬'과 가까워지면서 그녀가 미처 알지 못했던 세상을 조금씩 알게 된다. 하지만 마리아는 무슨 이유에서인지 말문을 열지 않는 막냇동생을 돌봐야 하는 책임감과 하나씩 부풀어나는 욕심을 뿌리치며 다시금 신앙에 집중하며 마음을 다잡는다. 그렇게 그녀는 가족과 친구, 그리고 세상에서 멀어져만 가는 자신을 느끼며 외로운 싸움을 시작하게 되는데....

엄격한 집안 속 순종적인 종교 생활을 이어가던 ‘마리아’. 어느 날 같은 수업을 듣는 밝은 성격의 '크리스찬'과 가까워지면서 그녀가 미처 알지 못했던 세상을 조금씩 알게 된다. 하지만 마리아는 무슨 이유에서인지 말문을 열지 않는 막냇동생을 돌봐야 하는 책임감과 하나씩 부풀어나는 욕심을 뿌리치며 다시금 신앙에 집중하며 마음을 다잡는다. 그렇게 그녀는 가족과 친구, 그리고 세상에서 멀어져만 가는 자신을 느끼며 외로운 싸움을 시작하게 되는데....

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Once upon a time there was a orphan. The new stepmother and her daughter, Annabella, treat her badly and let her sleep in the ashes. One morning, in the woods, Cinderella meets a hunter who turns out to be Prince Victor.

Summer 1780: On the way to Salzburg Emanuel Schikaneder's theatre group gets held up in a small mountain village on the Austrian border due to a missing performance permit. In this village a dispute between mine owner Paccoli and the rebelling mine workers is escalating. The situation immediately inspires Schikaneder with the idea for a new play- but before long not only the mineworkers, but also Schikaneder's performers take to the picket line. This is because Schikaneder seems to care more about spending time with high society than his actors, who the Landlord refuses to feed until Schikaneder pays the outstanding bill. A hastily put together open air performance by the troupe leads to major disruption....

A queer trans-ethnic movie kiss leads to considerable turmoil.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

Four stories dealing with the dialectics of enlightenment, with the randomness of love, birth and death. Aleks participates in an experiment facing civil war in former Yugoslavia. Sarah tries to escape loneliness by investigating a murder. Bastian has to deal with his father's decision to die. Anna dances with a foreign man. How destructive is the unlimited search for insight? Should one lie in order to protect a loved one, who'll be destroyed by truth?

Thomas and Hanna, a deliriously happy couple in their late 30s, buy an old house in the country with plans to fix it up over the summer. Hanna is looking forward to their time together – so when Thomas invites his older brother, Friedrich, who is deeply depressed over the failure of both his business and his marriage, to join them, she is disappointed by the intrusion. Easygoing, charming, and talkative, Thomas seeks to counterbalance the cloudier mood with an impetuous frenzy of activity, but Hanna retreats into sullenness and retaliates by bringing in her nubile young godchild Augustine until things smooth themselves out. Augustine’s youthful sexiness has anything but a soothing impact on Thomas, however, whose adolescent impulses linger just below the surface.

About sweeping love, rock & roll and getting rid of all that stale air of the fifties. You've got the good guys - that's Lulu and Jimi - and the bad guys: Lulu's mother Gertrud, her secret lover Schultz, the chauffeur, and a wicked old shrink, Von Oppeln, crouching in his gloomy office like a spider waiting to pounce on his prey Lulu. Light and darkness, bright garish colours, hot rock & roll and wild dance numbers mark this road movie about lovers fleeing from the evil powers of a deeply bigoted society. A drama about the relationship between a young black man and a rich German girl.

A weekend in the Bavarian Alps. 25-year-old Hannes meets his father after 8 years of separation in a little mountain hut. By the influence of their very different girlfriends Ann and Lavinia, the stage-director-father and his actor-son cautiously try to make a new start. A bold venture, leading all of them to an abyss of unforeseen cruelty.

When Julia, a frustrated literature professor, gets the opportunity to teach in Paris for one year, the dream of her life comes true. Living in a small, but charming hotel room, she is annoyed by her young neighbors because of their unmistakable sex life. However, she soon gets to know them personally...

Two twin brothers are living on a different sides of Berlin Wall after being separated after birth.

A young girl steals a car and drives to the Baltic Sea to bury her dead boyfriend.

Two boys (Ken Duken and Luca Verhoeven) try to get into the Munich Disco "Spy", but Dennis, the chief of Disco doesn't allow them to enter the club. This is the whole story - believe it or not, but director and writer Simon Verhoeven made a movie with a runtime of 88 Minutes based on this story. Low budget, but great fun. Nice pictures of Munich, good and intelligent ideas (Floh and Marcel are playing football, while Werner Hansch, a famous german TV-Sport-Presenter, reports their game to the audience)make the movie worth to be seen. Not a revolution, but, as said, it's fun.

In the brief period of peace after a terrible war on a far future Earth, an outer-space military academy is attacked by an unknown and unstoppable alien force. The commander, along with a group of newly graduated cadets, escapes to a large research station. Pursued by the aliens, the station jumps through a mysterious hyperspace gateway that sends them to a planet in an unknown part of the universe.