Anna Magnani
출생 : 1908-03-07, Rome, Italy
사망 : 1973-09-26
약력
From Wikipedia, the free encyclopedia.
Anna Magnani (pronounced: mahn-YANEE; 7 March 1908 – 26 September 1973) was an Italian stage and film actress. She won the Academy Award for Best Actress, along with four other international awards, for her portrayal of a Sicilian widow in The Rose Tattoo.
Born in Rome to an Egyptian father and an Italian mother, she worked her way through Rome's Academy of Dramatic Art by singing at night clubs. During her career, her only child was stricken by polio when he was 18 months old and remained crippled.
She was referred to as "La Lupa," the "perennial toast of Rome" and a "living she-wolf symbol" of the cinema. Time magazine described her personality as "fiery", and drama critic Harold Clurman said her acting was "volcanic". In the realm of Italian cinema, she was "passionate, fearless, and exciting," an actress that film historian Barry Monush calls "the volcanic earth mother of all Italian cinema." Director Roberto Rossellini called her "the greatest acting genius since Eleonora Duse. Playwright Tennessee Williams became an admirer of her acting and wrote The Rose Tattoo specifically for her to star in, a role for which she received her first Oscar in 1955.
After meeting director Goffredo Alessandrini she received her first screen role in La cieca di Sorrento (The Blind Woman of Sorrento) (1934) and later achieved international fame in Rossellini's Rome, Open City (1945), considered the first significant movie to launch the Italian neorealism movement in cinema. As an actress she became recognized for her dynamic and forceful portrayals of "earthy lower-class women" in such films as The Miracle (1948), Bellissima (1951), The Rose Tattoo (1955), The Fugitive Kind (1960), with Marlon Brando and directed by Sidney Lumet, and Mamma Roma (1962). As early as 1950, Life magazine had already stated that Magnani was "one of the most impressive actresses since Garbo".
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Herself
An Italian documentary about Italian cinema.
Self - Actress (archive footage)
The life of the legendary Italian photojournalist Paolo Di Paolo through his photographs, which capture the essence of a fascinating and turbulent Italy, the one inhabited by Anna Magnani and Pier Paolo Pasolini, a country that no longer exists.
Self (archive footage)
Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.
Herself (archive footage)
The destiny of legendary actress Anna Magnani through archive footage, often unpublished.
Camilla (archive footage)
The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.
Self (archive footage)
Forty years after his death, this documentary pays tribute to one of the major filmmakers of Italian cinema, to an original work that continues to inspire today's cinema. Coming from one of the greatest families of the Italian aristocracy, he could have been a rich and cultured man, living in opulence and idleness, but Luchino wanted a different destiny. This is the story that director Elisabeth Kapnist and Christian Dumais-Lvowski wanted to tell. Count Visconti di Modrone wears the clothes of a legend that he never stopped shaping throughout his life. This documentary reconstructs the fabric of a brilliant life, dedicated to art; theater, opera, and cinema. This artistic work is also that of a committed man, who was a fellow traveler of the Communist Party, and who resisted fascism.
Maddalena Cecconi (archive footage) (uncredited)
Girlfriend in a Coma is a documentary that exposes the dire situation of Italian politics and the process of economic and social decline the country has suffered during the last two decades, treating the decline as a warning of what might happen elsewhere in the West. The decline has occurred amid a collapse of moral values and the victory of “Mala Italia” over “Buona Italia”. It has been lauded as being ground-breaking in its creative combination of animation, interviews and hard facts, and has caused fierce controversy in Italy.
Herself (Archive footage)
In 1948, a fan letter arrived for director Roberto Rossellini from Ingrid Bergman, one of Hollywood’s biggest stars; after a meeting in New York, Rossellini invited Bergman to Italy to work on a project. Meanwhile, Anna Magnani, one of Italy’s biggest stars and Rossellini’s longtime lover, was furious. When the Rossellini/Bergman project was announced as a tale set on Stromboli, one of the volcanic Aeolian Islands, Magnani quickly set up her own Aeolian project, financed by Hollywood, to be called Volcano. Italy’s tabloids simply went wild: the prospect of these two great divas battling it out with rival productions was breathlessly followed, especially as it became clear that the Rossellini/Bergman relationship was more than professional. Francesco Patierno has created an engrossing, revealing and highly entertaining chronicle of this cinematic battle royal.
Self (archive footage)
A documentary about Vittorio de Sica with clips of his films and testimonials from friends and family.
himself
Pina (archive footage) (uncredited)
A tribute to Isabella Rossellini's father
Self (archive footage)
Television documentary about the making of Roberto Rossellini's 1945 film "Rome, Open City".
Archival footage
Documentary consisting of archival footage that depicts the evolving conditions of Italian women during the first half of the 20th century.
Maddalena Natoli (archive footage)
A documentary about Roberto Rossellini and the making of his 1950 film "Stromboli."
Serafina Delle Rose / Lady Torrance (archive footage)
A study of Tennessee Williams's life and work as a whole, ranging from his youth in Mississippi and in St. Louis to success and acclaim, followed by the final difficult years. Includes some of the most celebrated scenes from film adaptations of Williams' work, among them extracts of A Streetcar Named Desire (1951),Cat on a Hot Tin Roof (1958), Night of the Iguana, The (1964), and Suddenly, Last Summer (1993) (TV). Contains footage of Williams being interviewed, including conversations with David Frost, 'Edward R. Murrow (I)', and Melvyn Bragg, as well as reminiscences from people who knew and worked with him, among them Edward Albee, Gore Vidal, and his lifelong friend, Lady Maria St. Just. Features readings from Elia Kazan's Notebook by Kim Hunter.
Herself
A documentary about the Italian cinema as art form and industry.
Self (archive footage)
Traces the life of Anna Magnani, her creations, her successes, her triumphs, her boycotted career, her nonconformism, her anxieties, her generosity ... Punctuated with photos that tell her career in theater and cinema, Extracts of films, this documentary portrait also gives the floor to his friends and relatives, from Roberto Rossellini to Marcello Mastroianni, through Federico Fellini.
Anna Magnani
펠리니 감독이 자신의 젊은 시절 사건들과 그 시절 로마를, 판타지를 섞어 회고하고 있는 작품. 1930년대 로마의 광란과 산업화가 절정에 이른 1970년대의 현재를 아우르는 펠리니의 여정은 로마에 대한 애정을 듬뿍 담고 있다.
Teresa Parenti
Rome, 1870. Opponents of the church power are being sent to prison. Some of the exhausted prisoners are asking for the mercy of Pope. Others, like Augusto Parenti, prefer to fight for their rights until the end. His wife, Teresa is a simple woman, who gets involved with the rebels.
Anna
An ex-prostitute, feeling an emptiness in her life, decides to fill it by buying a car.
Jolanda
This vehicle for the great actress Anna Magnani was one of the four made for Italian television and shown in 1971-1972 at the end of her career. The other three were "La sciantosa," "Correva l'anno di grazia 1870," and "L'automobile" and were all directed by Alfredo Giannetti.
Flora Torres
La Sciantosa is part of a project created by writer/director Alfredo Gianetti for the Italian TV. The objective was to portrait a hundred years of Italian history through three movies, all of them with Anna Magnani. The other two are "1943: un incontro" and "L'autmobile". In this first movie, La Magnani is Flora Torres, a "sciantosa" (kind of a small stage diva) who is forgotten during the WWI, living only to remember her past glory. One day she receives a letter to present herself to the high command. There, Flora is called to go to the front and entertain the troops. Along with her maid Cristina, Flora goes to the front. There they are welcomed by the young private Tonino (Massimo Ranieri). Flora starts to act like a prima donna, making absurd demands to everyone. But when she is about to present herself, the vision of the wounded soldiers makes her change her way
Rosa
2차 세계 대전에서 패한 이탈리아 군대가 와인의 맛이 좋기로 유명한 이탈리아 북부의 산타 비토리아에 백만병의 와인을 내놓을 것을 요구한다. 화가 난 마을 사람들은 이탈로 봄볼리니에게 도움을 청한다. 봄볼리나와 마을 사람들은 힘을 모아 와인을 모두 숨기고, 마을에 도착한 군인들은 남아 있는 와인이 하나도 없다는 것을 알게 된다.
Self
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.
Adelina (segment "5 'La Famiglia', episode 3")
A group of Italians take a flight to Sweden: among them there are the tourists, and the immigrants.
Josefa
Mamma Roma
맘마 로마(안나 만냐니 분)는 포주인 카르미네(프랑코 시티 분) 밑에서 일하던 매춘부다. 카르미네가 결혼하여 시골로 내려가면서 잠시 자유를 찾은 맘마로마는 새로운 삶을 살기로 계획하고, 시장에서 과일과 야채 가게를 시작한다. 그리고, 그녀는 시골집에 맡겼던 16살 된 아들 에토레(에토레 가로폴로 분)를 데려와 함께 살게 된다. 최하층의 삶을 살고 있는 엄마는 아들만은 소시민의 환경에서 살게 되기를 바랬지만 카르미네는 다시 일하러 나오던지, 아니면 완전한 자유를 위해서는 200,000 리라의 몸값을 내라고 한다.
Gioia 'Tortorella' Fabbricotti
On New Year's Eve, a young woman and an out-of-work actor complicate a pickpocket's plans to ply his trade.
Lady Torrance
항상 뱀가죽 잠바를 입고 다녀 ‘스테이크 스킨’ 이라는 별명을 가진 사비에르는 폭행 사건으로 인해서 재판에 서게 되고 풀려나는 즉시 나쁜 추억만 있는 도시를 떠나 새로운 안식처를 찾아 떠난다. 차가 고장 나서 처음 들린 마을에서 우연히 새 일자리를 얻게 되고, 돈 때문에 가게 주인에게 시집온 안주인과 그는 사랑의 빠지게 된다. 하지만 뛰어난 외모로 인해 마을 여자들의 사랑을 독차지 하는 사비에르는 결국 마을 남자들의 미움을 사게 되고 마을에서 나가라는 압력을 받게 된다. 하지만 진정한 사랑을 두고 마을을 떠날 수 없는 사비에르는 그녀와 함께 마을을 떠나려 하다 불타 죽게 된다.
Egle
A young girl comes to prison and experiences the entire prison subculture. The inmates she befriends vary from big tough dangerous dames to smaller submissive ladies who are totally lost in prison life.
Gioa
A widowed Nevada rancher goes to Italy and marries the sister of his deceased wife and brings her back to the ranch, but his haunting memories of his lost love and her tendency to drift away to other men cause the two to have a tough time at keeping a marriage together.
suor Letizia
Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.
Serafina Delle Rose
A grieving widow embarks on a new romance when she discovers her late husband had been cheating on her.
Anna (segment "Anna Magnani")
Five portraits of actresses in their "common" life, seen as women rather than movie stars.
Camilla
식민지 총독인 바이스로이(던컨 라몽 分)는 일과 아내를 뒷전으로 미룬 채 매력적인 유랑극단의 여배우 까밀라의 사랑을 얻기 위해 애쓴다. 그리고 급기야 자신이 특별히 주문해서 만든 황금마차를 까밀라에게 넘기기에 이른다. 하지만 당대 최고의 투우사인 라몬(리카르도 리올리 分)과 순수한 귀족, 펠리페(폴 캠벨 分) 또한 까밀라의 사랑을 얻기 위해 결투까지 무릅쓴다. 이에 까밀라는 유혈 사태를 막기 위해 황금마차를 가톨릭 주교에게 바친 뒤, 사랑의 미련을 마음속에 묻은 채 세 남자 모두의 사랑을 뒤로 하고 다시 유랑극단으로 돌아간다.
Screenplay
The story of Giuseppe Garibaldi's 1849 campaign to free Italy from Austrian domination.
Anita Garibaldi
The story of Giuseppe Garibaldi's 1849 campaign to free Italy from Austrian domination.
Maddalena Cecconi
막달레나는 눈에 넣어도 아프지 않을 만큼 어여쁜 딸 마리아를 특별하게 키우고 싶어한다. 때마침 아역 배우를 뽑는 오디션이 열리고, 막달레나는 마리아를 참가시키기 위해 수단과 방법을 가리지 않는다. 결국, 마리아는 오디션을 통과하고, 촬영이 시작된다. 그런데 어린 마리아가 스태프들 사이에서 울고 있는 모습을 보게 된 막달레나는 무언가 크게 잘못되었음을 깨닫는다.
Nannina
Anthology film by three directors, "A Day in the Country", "Jofroi" and "The Miracle".
Maddalena Natoli
An exiled Italian prostitute (Anna Magnani) shields her sister (Geraldine Brooks) from a deep-sea diver (Rossano Brazzi) on an island volcano.
The woman (segment "Una voce umana") / Nannina (segment "Il miracolo")
우연히 만난 낯선 방랑자를 성 조셉이라고 생각하는 한 양치기 여인을 주인공으로 삼아 밑음과 기적의 현대적 의미를 탐구한 작품. 로셀리니의 여러 영화에서 빈번하게 감지되는 카톨리시즘적 요소가 두드러지게 나타난 영화로 밑음과 기적을 영화적으로 표현하는 로셀리니만의 독특한 방식을 확인할 수 있다. 로셀리니가 안나 마냐니와 함께 작업한 마지막 작품이다.
Linda Bertoni
Driven by the constant quarrels with his wife and humiliated by a rich Milanese industrialist after asking him for a job, an unemployed person decides to steal a car from a garage guarded by a friend.
Assunta Spina
Assunta, a commoner of Naples, is scarred by her lover Michele for jealousy.
Liana, la prostituta
A mysterious man, who had lost his memory, arrives in San Marino among other refugees during the Second World War.
Angelina Bianchi
A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.
Gioconda Perfetti
Thanks to wartime smuggling Gioconda Perfetti, a roman fruit vendor, becomes very rich. She leaves her shop and moves to a magnificent villa which once belonged to a count. She also becomes involved with some very dubious characters who profit from her ignorance and cheat her out of her money.
Lidia
Among others, Ernesto returns to Turin after the war from a German POW camp; his household destroyed and family deceased, he tries making an honest living.
Ada
An opera singer hides an American soldier in his house in Nazi-occupied Rome.
Adele Vicarelli
A man comes home from the war and finds both his plant and his family destroyed.
Nannina Straselli
The two drivers Giovanni and Gaetano are friends. Gaetano, bold and ruthless, thrives in the black market, while Giovanni, who is a naive and fundamentally honest worker from the North of Italy, cannot get any profit and his wife, an energetic and talkative Roman woman, can't help blaming him for his poor business skills. Returning from a trip to Naples, he brings home a little hungry orphan, Nello. At first Giovanni's wife doesn't want the boy, but then she begins to like him. The little boy does whatever he can to help the family. Nello's father, who everybody thought to have died during the war, finds his little son and, being a rich business man, he employs the good and generous Giovanni. Meanwhile the former friend Gaetano is caught by the police and convicted for his illegal trades.
Pina
제2차 세계대전 말기 로마가 독일에 의해 점령되었던 시기에 실제로 일어났던 사건에서 소재를 취해 재구성한 영화. 연인의 밀고로 체포되어 사살된 레지스탕스 지도자, 레지스탕스를 돕다가 처형된 신부, 게슈타포에 끌려가는 애인을 향해 달려가다 총에 맞아 죽은 여인의 이야기 등이 엮여있다.
Elena
Elena invites her former husband Roberto to her country house with the aim of winning him back while her sister Monica invites her lover Filippo.
Maria Comasco, l'attrice
Mary Dunchetti
Toto (Aldo Fabrizi), a Roman coachman with an old fashioned horse-drawn carriage who objects to the competition from motorised taxis, doesn't want his daughter Nannarella to go out with Roberto, a young taxi driver. But it is Roberto who helps him when he gets into trouble with a former client, Mary Dunchetti (Anna Magnani), an arrogant singer.
Elide
Peppino, a fishmonger on Campo de' Fiori, a famous Roman marketplace, works alongside Elide, a greengrocer, who has a soft spot for him, despite the fact they argue all day long... But neither Peppino, nor his friend Aurelio, the barber, are interested in getting married. Until he meets the beautiful Elsa...
Virginia
La mondana
Zizì
The merchant Giovanni Illes is tracked down by the debtors, but cannot pay his debts. To save her father from bankruptcy, Anna talks to the lawyer, trying to earn an extension. The lawyer grants it to him, but he gets too close, even physically. She wants to defend herself, but his power dominates the impotence of the woman.
Ninetta
Maddalena/Loletta
A comedy of errors in which the sweetly incompetent Dr. Pietro Vignali (de Sica) has been run deep into debt by his girlfriend, Loletta Prima (Magnani). After his creditors threaten to sell his belongings, he takes a job as an orphanage health inspector to pay his debts and ends up engaged to wealthy Lilli, daughter of a mattress tycoon, and chased after by the orphan Teresa Venerdí, while trying to keep his life in order.
Wanda Reni
In the absence of the biological mother, too busy pursuing her theatrical career, we see the glorification of the maternal surrogate, a woman who is a paragon of sacrifice and self-abnegation. La Fuggitiva is also a film in which a child actress takes a prominent role. In this sentimental drama, the little girl suffers for and rebels against the loneliness and neglect stemming from the lack of a mother and a loving family setting.
Ivana
Marietta, la cameriera
A film about the story of princess Élisabeth Tarakanova.
Gertrude Siriani, la sorella zitella di Tullio
A married woman hits a pedestrian with her car who requests that she must perform a particular punishment as a penance.
Fanny
Umberto Solaro loses the love of his life Speranza, a noble but poor girl who has been forced to marry a rich Austrian army officer. Heartbroken Umberto becomes a riding instructor but during a competition his horse dies and he decides to give up equitation and become an aviator.
Pierotta
Adventures of two provincial actors looking for anyway done with something to eat. They are joined by a girl, Lili. They represent a magic number, but all I get are miscues and boos.
Emilia - la cameriera
A meek professor is swept over his feet by a very vivacious girl.
Anna, la sua amante
Drama set in the nineteenth century in Sorrento in southern Italy. It is an adaptation of the 1852 novel of the same title by Francesco Mastriani. A young woman named Beatrice loses her sight after witnessing the death of her mother. Unable to see Beatrice is unable to identify her mothers’ killer. The police arrest a man who they believe is the murderer. Did they get the right man or is the killer still lurking in the shadows? Years later a family friend introduces Beatrice to a renowned Doctor who specializes in restoring sight. Will Beatrice regain her sight and identify her mothers’ killer or will someone make sure that she never sees again?
