Arthur W. Ahrweiler

출생 : 1951-09-24, Krefeld, Germany

참여 작품

베토벤
Cinematography
1770년, 본에서 평민으로 태어난 루트비히 반 베토벤은 어릴 때부터 엄격한 아버지 밑에서 혹독하게 음악을 공부한다. 루트비히의 아버지는 루트비히를 동시대에 먼저 태어나 이미 유명세를 떨치던 모차르트처럼 만들려고 하고, 루트비히는 힘든 상황에서도 묵묵히 음악적인 재능을 발휘한다. 루트비히는 자신의 재능을 알아본 네페를 스승으로 만나 작곡하는 법을 배우고 스승의 조수로서 궁중 오르간 연주자로 활약하지만 한편으로는 뛰어난 재능에도 불구하고 평민으로 차별당하는 현실에 힘들어한다. 곧 어린 루트비히는 자신의 재능을 사랑하는 귀족을 후원자로 두게 되고 귀족의 딸과 사랑에 빠지는데...
Inspector Dupin: Brittany's Tide
Cinematography
Myths of the sunken city of Ys leads to the murder of a young couple.
Das Dorf der Mörder
Director of Photography
Inspector Dupin: Brittany's Gold
Other
A journalist bites off more than she can chew investigating a deadly secret.
Dr. Gressmann zeigt Gefühle
Camera Operator
Ohne Dich
Camera Supervisor
Martina and her partner Ralf, who run a restaurant together in Cologne, enjoy their holiday in Brittany - until one day Ralf does not return from a sailing trip. The Breton police believe in a sailing accident and make Martina little hope that her friend has survived. But Martina does not want to accept Ralf's death and begins a desperate search on the coast of Brittany. However, when this remains in vain, Martina returns to Germany.
롬멜: 사막의 여우
Cinematography
북아프리카 전선에서 사막의 여우 같은 능수능란한 전술을 구사했던 롬멜은 동료들과 함께 히틀러의 광기 어린 통치로 인해 조국이 패망의 길로 치닫고 있음을 깨닫게 된다. 조국을 지킬 수 있는 방법은 오직 히틀러를 제거하는 것뿐임을 인식하고 암살 계획을 세우지만, 실패로 돌아가고, 이어 대대적인 반역자 색출 및 제거 작업이 뒤따르며 결국 반역자로 지목되는데...
Wiedersehen mit einem Fremden
Director of Photography
Until Nothing Remains
Director of Photography
Die Todesautomatik
Director of Photography
Der Mann im Strom
Cinematography
Imaginary Architecture, the architect Hans Scharoun
Cinematography
Hans Scharoun has built houses which show not only structural substance and aesthetic forms but also how human beings should live in buildings. This depiction can only be imaginary - like reading invisible writing on walls. Bitomsky's film looks at several of Scharoun's buildings.
Turn Down The Music
Cinematography
In Essen, four ordinary teenage Death Metal fanatics are looking for the best way to kill time. There are girls, cigarettes, drive-ins and petty larceny but nothing moves the needle.
Barrage and Bunker
Cinematography
Barrage and Bunker is an essay film about the (narrative) space imagined by fiction films. Reflections and associations about movement in space are the basis of every kind of story-telling. The film is sometimes referred to as part of Bitomsky's Cinema Trilogy. Sequences from over 20 movies are quoted and commented on by a team of three "researchers" (Bitomsky, Petzold, Tanner) in a sort of laboratory. TV-monitors, production stills and screenshots are used as well as quotations from books. A long night's work.
Ein letztes Lied
Director of Photography
The Cinema and the Wind and Photography
Cinematography
Essay film about the history of documentary films.
Der Tod des Goldsuchers
Director of Photography
Tragic story about two men, one searches for gold, the outher is a photographer.
Keine Hand wäscht die Andere
Cinematography
On the run from her criminal Italian husband, a young French woman meets a German lover in West Berlin who offers her shelter but who also gets entangled in her threatened life ever deeper.