Ellen Umlauf

Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco).

A small retirement home on the edge of Vienna where the city's oldest residents live. Patients over the age of 100 begin to die under mysterious circumstances. The police's secret investigation concentrates on the nursing staff at first. But the new medical director, Dr. Klein, discovers that one of the patients is the culprit.

Herbert Krcal (Roland Düringer) and his wife Margit (Nina Proll) dream of owning a home. They prefer to do this in the "Blue Lagoon", a prefabricated house park in the south of Vienna, where they regularly go on pilgrimage with their son Philipp. Just as regularly, they have to recognize the bitter truth that they cannot actually afford the dream house they have visited.

The young policeman Joachim Krippo likes to occasionally share his bed with a nice married couple. When he is supposed to be guarding the criminal Engel Potraske during a court appearance, the dangerous Engel manages a spectacular escape, but departs minus a toe! Krippo is subsequently suspended from his duties and put with other police officers under the care of an elderly police psychologist. Krippo's professional set-backs are followed by private ones: his grandad - who was actually being well looked-after in an old people's home - is dropped off at his place because the payments due have not been made. He tries to get his grandad out of the flat by pairing him off with the police psychologist. But, in the critical moment, Krippo lunges for the bait himself. At least, this means that he will be discharged from the psychograph tests as being fit for service again...

A reporter becomes embroiled in a deadly game when researching a series of murders on a South American island.

Senator Isaak Kohler shoots and kills Professor Winter in a crowded restaurant, while Winter is dining with the struggling idealistic young lawyer, Felix Spat. Kohler puts up no defense and is sentenced to twenty years. Kohler then gets his daughter Helene to pay the reluctant Spat to reinvestigate the case, on the assumption that Kohler is innocent. The newspapers pick up on this and begin to question whether Kohler was wrongly convicted.

유명 영화배우 시저 발렌틴(피터 오툴)이 쓴 자서전 '명성의 날개'가 자신의 책을 표절했다고 생각한 무명 작가 브라이언(콜린 퍼스)은 그를 만나 얘기해 보려고 애를 쓰지만 번번히 거절당하자 앙심을 품고 영화제 레드카펫에서 그만 그를 살해하고 만다. 그러나 브라이언도 곧 어이없는 사고로 죽게 되고 그 둘은 유명인의 영혼이 모여사는 내세의 호텔로 향한다.

True story of two diametrically opposed young women dealing with terminal illness.

The 30-years old Max is MD and engaged to the attractive Coco, who jealously keep watch over him. After he heard the lovely voice of an unknown misdialing woman, he starts a restless search ...

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

Three young friends will spend a season in Alicante (Spain). There life is easy drinks, girls and parties. On one of their usual night trips, they find three women, old friends of more relaxed times.

An ancestor of the famous vampire gets a job as a photographer shooting beautiful fashion models at the family estate.

A German short film

A film by Robert van Ackeren.

1923년 서커스단에서 형 맥스와 함께 공중 곡예사로 있던 아벨은 맥스가 손목을 다치게 되자 서커스를 포기하고 독일의 베를린까지 흘러 들어와 술로 세월을 보내고 있습니다. 그 시절 베를린의 분위기는 극심한 경제난 때문에 아주 음습하고 무거움 그 자체이다. 독일 국민들은 육체적, 정신적으로 피폐해져 있고 마르크화의 가치는 종잇장보다 못했으며 나치즘과 파시즘을 비롯한 여러 공포정치 때문에 아주 어지럽고 복잡한 시절이었다. 그러던 어느 날 맥스가 갑작스럽게 자살을 하자 아벨은 큰 상실감에 빠지게 된다. 더군다나 자신과 아주 조금씩이 나나 관련이 있던 7명의 사람들이 시체로 발견되자 큰 충격과 공포 그리고 의문에 휩싸이게 되는데.. 이에 정신적인 고통에 시달리는 아벨은....

A deaf and dumb accountant suffers from a psychic trauma in his childhood. He is collecting puppets and mutilates female bodies in the mortuary. After his secret love died by an accident he starts to kill.

Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.

Leo, the owner of the stocking product "Discrete", has driven his company into the wall; the company is virtually bankrupt.

Two women, one from Boston and one from Germany, flee their empty lives to seek fulfillment in Mexico. The Black Angel is a transitional film; on one hand, it is a companion piece to Willow Springs, featuring two Schroeter regulars as characters far from home and in extremis; on the other hand, it is a film essay about Mexico and as such a harbinger of Schroeter’s nonfiction work to come. While he clearly shares his characters’ fascination with Mexico, the filmmaker also savages touristic exoticism – the otherworldly appearances of his protagonists and their rapturous reactions to new surroundings contrast sharply with the sober perceptions of Mexican history and economics featured in the documentary segments and in the prosaic presence of a non-professional cast of locals. - Harvard Film Archive

Hebrew leader Lot (Stewart Granger) leads his people to a fertile valley adjacent to the cities of Sodom and Gomorrah, hotbeds of vice and corruption ruled by the merciless Queen Bera (Anouk Aimée). When Lot orders a dam to be busted in order to prevent destruction of the cities by the attacking Helamites, the queen, in gratitude, allows Lot's people to settle in Sodom. Soon, however, the veneer of civilization begins crumbling as Lot and the Hebrews become corrupted by the Sodomites.

A comedy directed by Franz Josef Gottlieb

The students at a school of hotel management repurpose the institute into a hotel with a show stage, double-cross the principal, the groundskeeper, and a grumpy millionaire, and cause so much mischief and confusion that, in the end, there is only one thing left to do: laughing to the bitter end!

A tribunal interrogates, tortures and murders "witches" and "heretics" during the Inquisition.

"A vivid, exciting look at the lives of vulnerable young girls who are hustled into the promised land of professional glamour"

샐리보울은 30년대 베를린의 킷캇 클럽에서 명성을 떨친 전설적인 댄서다. 그녀는 최고의 매너를 지닌 영국 신사 브라이언 로버츠와 사랑에 빠지지만 그남자는 양성애자다. 샐리와 브라이언 두 사람은 동시에 부유한 플레이 보이 막시밀리언 폰 헤우네의 유혹을 받는다, 흔히 볼 수 있는 삼각 관계가 아닌 양성애가 얽힌 이중의 이 삼각관계에 끼어드는 것은 정치다. 샐리의 동료인 유대인 여자 나탈리는 바람둥이인 프리트와 사랑을 나누지만 나치가 득세하자 자신의 유대인 신분을 감춘채 살아남기위해 전전긍긍한다. 샐리는 브라이언의 아이를 임신하지만 자신의 직업적인 미래를 위해 아이를 지운다. 그러자 브라이언은 영국으로 돌아간다.

A comedy directed by Kurt Nachmann.

Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Donizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“

A man plans to kill his wealthy wife for her money and so he can be with his beautiful young mistress. However, things don't turn out exactly as he had planned.

Munich at night: Robert Susmeit, a 16-year-old teenager who is jealously obsessed with his mother Hilde, traces her and her latest lover at a mundane apartment building where he kills the man in the heat of the moment at a swimming pool. His fatal outburst is secretly witnessed by Moni Dingeldey, a girl of the same age as his. Fascinated by the shaken and devastated strange boy who she hopes to be a soul-mate, she hides Robert in her mother's apartment. Meanwhile, a crowd of policemen and reporters frantically comb through the building in search a murderer whose identity is known only to Robert's parents who are searching as well...

A comedy directed by Günter Hendel.

A sleazy comedy directed by Ákos Ráthonyi.

In this comedy, set in an Austrian mountain village, the town leaders conspire to attract tourists by touting a mythical "fountain of love" that runs nearby the village. When the minister of tourism discovers this, she immediately sends her agents to check out the veracity of the potentially scandalous water. After the village mayor declares a 3-day ban on sexual activity, he then plugs up the fountain. When the agents come, they find nothing. One of the agents wants to have his boss come and check it out personally, but changes his mind after he drinks some of the water. It really is an aphrodisiac! Soon tourists are arriving by the hundreds to sample the mysterious water. Unfortunately, the minister finds out and claims the water for the state.

"Wunderbar" takes on a new meaning in this routine satire by Bernhard Wicki about a bar that is miraculously transported by God Himself to a nearby, new location on an island. The nature of the miracle is a bit strange, but it comes in answer to Pater Malachias' prayers to get the sin-ridden place out of the center of the city. The good and naive Malachias is subtly played by Horst Bollimann. Once this miracle of relocation has occurred, the sharks and entrepreneurs, who would bilk both the faithful and the curiosity-seekers alike, crop up like an unwanted epidemic. The mercenary and the sacred clash, as many try to find deeper meaning in what has happened, and Pater Malachias starts to doubt the wisdom of his original prayer.

The actors Heinz Doll, Hans Stiegler and Werner Mack have failed to look after the end of the last season in time for a new commitment and are now unemployed. Since they are just right that the Salzburg mountain hotel "Zum Blaue Enzian" staff looking for.

A mix between Italian neo-realism, German expressionism and Austrian exploitation.