Romina Paula

For over six years, Javier and Valeria have been trying to get pregnant. At work Javier is approached by Camila, a coworker, and tells him she is pregnant with his baby. In the following days, his relationship—indeed, his entire existence—starts to fall apart.

A cinematographic meeting of four writers who are also actors, directors, teachers and playwrights. This multiplicity of trades is related to the word and the common point of two episodes four that compõem or film. Four stories, four protagonists: two men, two women who reflect, in different ways, on writing, reading, the generational clash and the creative process.

A cinematographic meeting of four writers who are also actors, directors, teachers and playwrights. This multiplicity of trades is related to the word and the common point of two episodes four that compõem or film. Four stories, four protagonists: two men, two women who reflect, in different ways, on writing, reading, the generational clash and the creative process.

Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.

Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.

Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.

마리아노 이나스가 10년에 걸쳐 만든 역작으로, 무려 13시간이 넘는 시간 동안 여섯 개의 이야기가 이어진다. 각각의 이야기는 B급 영화에서 로맨스, 미스터리에서 스파이 스릴러, 또는 실험 영화 등 다양한 장르로 옮아간다. 그리고 모든 이야기에서 각기 다른 모습으로 등장하는 네 명의 여배우가 서사의 중심에 있으며, 이들의 흥미로운 행보는 진정한 자아를 향해 나아간다.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

A french engineer travels in a ship that stops in Buenos Aires, where he must deliver a packet to a mysterious man that is to hard to catch. He then must pursuit him in a labyrinthic city.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

It starts like this: a beach, a cliff, a pine tree forest, and a house made of stone. In the house, Virginia wakes up startled by a nightmare, and in the nightmare we can see her cousin Anabel with a deathly pale face and traces of blood around her lips.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

산타 페 1105번지4층, H호 외부와의 접촉을 최소화한 채 컴퓨터로 모든 생활을 해결하는 웹 디자이너 마틴. 오늘도 그의 곁을 지키는 건 7년 전 헤어진 여자친구의 강아지 수수 뿐이다. 마틴에게 온라인 채팅은 일상처럼 익숙하지만, 낯선 이와의 데이트는 어색하고 불편하기만 하다. 산타 페 1183번지8층, G호 도시의 쇼윈도를 디자인하는 디스플레이어 마리아나. 힘겨웠던 4년 간의 연애를 끝내고 집에 돌아왔지만 그녀를 반기는 건 묵묵부답의 마네킹 뿐이다. 이별 후의 밤이 유독 힘겨운 마리아나는 오늘도 이 도시 어딘가에 있을 운명의 상대를 상상한다. 갑작스런 정전으로 모든 게 멈춰버린 밤, 집 밖으로 나선 마틴과 마리아나. 가까이 있으면서도 서로의 존재를 모르던 그들은 과연 사랑을 이룰 수 있을까?

The Argentine competition winner, Gonzalo Castro’s Invernadero (Winter House), offers a stylistically elegant if overlong contemplation of the experimental one-armed Mexican novelist Mario Bellatín, a famed prankster who here engages with his daughter and friends (all fictional characters) in an interrogation of biography (itself a central conceit in Bellatín’s fiction).

A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization, invited by Helena, who plans something humiliating for one of the guests.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

A surgeon from Buenos Aires, wearied by personal problems and the endless cycle of work, leaves for a week's skiing vacation in the south. Instead, on impulse, he follows a young hitchhiker to a small fishing village, Devil's Point, in the north, on the coast of Uruguay. He makes fleeting acquaintance with some of the villagers, and learns that "the only thing to do in winter is to wait for summer".

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

We are in Argentina in 1977, a woman gives birth to twins. With the complicity of the midwife he manages to hide the child, second child. The first, a boy, is taken into custody by the regime's guards. The scene moves to the Milan of today. The young Rosa contacts Javier and tries to convince him that they are twin brothers, separated at birth. Thus, the two begin a journey to rediscover their origins and their past. A bitter reality is ready to overwhelm them ...