Baron von Werner and Gunnar Jansson are in a dispute over property rights. Inga, the baron's daughter, arrives home from France and is soon interested in Jansson, her father's archival, and tempers flare. Based on the play by Sigurd Wallén.
A married writer's luck turns when he gets a play produced at Théâtre de Paris. He meets the femme fatale who should play the lead in his play. Passion and conflict occurs.
Love entanglements among the upper class of Paris. The young upper-class Parisian Valentin van Zanten has a luxurious lunch-density dinner with the flirtatious Inez Maria, when the "friend" shows up and interferes with his own and successful pre-man manners.
René Marelle from Marseille is actually a Swede named Richard Bergin, but he has chosen to tamper with his identity to avoid his Swedish military service. A look-alike has taken his place to fifty thousand kronor in compensation.
Anne Marie (Lili Lani) gets invited by her aunt to a hotel to to meet her admirers. Not to fulfill her aunt's wishes, but to verify who works at the hotel.
The merchant Blomberg is out in the countryside with his daughters and housekeeper when the idyll is suddenly shattered. The daughters head off to have fun with two young guys from Copenhagen who are on a road trip, and the vagabonds Pat and Patachon seize the chance to interfere for their own gain. The preserved material is the original Swedish version titled 'Landsvägsriddare', translated to 'Tyvepak' in Danish. The film was a huge economic success to the then Swedish owned production company Palladium. It is the first film, in which Pat and Patachon appear as a team, although not in their final constellation: As always, Pat is played by Carl Schenstrøm, whereas Patachon is embodied by Aage Bendixen instead of Harald Madsen. There is another 'Tyvepak' from 1915, which is directed by Lau Lauritzen Sr. as well. This film is a heavily revised version of the 1915-film. (stumfilm.dk)
