Buck Houghton

Buck Houghton

출생 : 1915-05-04, Denver, Colorado, USA

사망 : 1999-05-14

약력

Archible Ernest "Buck" Houghton Jr. is chiefly remembered as producer of The Twilight Zone (1959) during its first three seasons (more than a hundred episodes in total), his influence palpable in all facets of production, from script selection to renting production facilities, to casting, scoring and editing. Houghton had graduated from UCLA with majors in English and economics. He was at that time known as 'Arch'. The origin of his nickname 'Buck' may have been the result of buck teeth as a child. His career began in Hollywood as back stage help on films by Cecil B. DeMille, then as reader for Val Lewton and story editor to David O. Selznick. Via subsequent stints at Paramount's casting and budget departments, the Office of War Information (where he worked on short propaganda films) and four years as executive assistant at RKO, Houghton worked his way up to television producer by the early 1950's. He served as associate producer on an excellent early action series, Yancy Derringer (1958), which is, sadly, almost forgotten today. William Self, who preferred to remain in his executive position with CBS, offered Houghton the job of producing "The Twilight Zone" and Houghton enthusiastically accepted, having perused the first two scripts. He became popular with many of the directors, for example Douglas Heyes (usually put in charge of more character-driven assignments like "The Invaders"), who regarded him as the best producer he ever worked with. Most importantly, Houghton complemented the creative genius of Rod Serling by his expertise in all minutiae of production. Houghton left "Twilight Zone" at the end of season three, having raised objections about extending the show to the -- as it turned out, much less suitable -- one-hour format. Few of his subsequent appointments proved entirely satisfactory: Houghton more often found his style cramped, clashing with stars he regarded as 'autocratic' (The Richard Boone Show (1963), Hawaii Five-O (1968)) or executive producers he disliked (Lost in Space (1965)). There were several more production credits to his name in the 80's -- mostly B-grade made-for-TV films -- before his retirement in 1994.

프로필 사진

Buck Houghton

참여 작품

The Twilight Zone: A 60th Anniversary Celebration
Producer
Six episodes of the original series, restored and on the big screen for the first time, and a special retrospective documentary encompass this Fathom Event.
Spring Awakening
Producer
The failing economic fortunes of a small turn-of-the-century Nebraska town interrupt a blossoming romance between a pair of star-crossed lovers.
라이더의 처형
Executive Producer
아리조나주의 시골인 브룩스에 바가트가 이끄는 일당이 검은 가스텀차를 타고 나타나 행패를 부린다. 같은 시간, 신비의 힘을 가진 라이더 제이크가 이 마을로 들어와 길을 묻다가 아름다운 소녀 캐리를 만나 사랑에 빠진다. 그러나 제이크는 곧 캐리가 바가트의 애인이라는 것을 알게 된다.
Eternal Evil
Producer
A dissatisfied Montreal director of TV commercials is taught to astrally project himself by a mysterious woman. But soon he finds that he does it against his will when he sleeps, and while he does it, he commits savage acts against those in his life.
이스케이프 아티스트
Producer
The young and self-confident Danny bluffs at the local police-station that he will escape from prison within an hour. What follows is a flashback showing his childhood with his uncle and aunt, who are 'vaudeville'-artists themselves.
An Innocent Love
Producer
This romantic drama focuses on the romance between a 14-year-old mathematics genius and a 19-year-old All-American volleyball player.
Dynasty
Producer
The story of a pioneer family in the early 1800s that seeks its fortunes on the Ohio frontier.
대부 2
Senator with mustache (uncredited)
아버지의 장례식 도중에 맏아들 파올로가 총에 맞아 죽고, 비토(로버트 드니로)는 겨우 도망쳐 미국으로 건너온다. 대부로 성장한 후 비토는 다시 치치오를 찾아 복수를 한다. 새롭게 등장한 젊은 대부 마이클(알 파치노)은 본거지를 라스베가스로 옮기고 가족의 사업을 가능한 합법적인 것으로 바꾸려고 애쓴다. 그런 과중 중에 자신을 제거하려는 음모를 알게되고 그는 냉혹하고 신속하게 반대파들을 제거, 조직을 더욱 확대해 나간다. 이를 위해 마이클은 배신한 형마저 죽이고, 일 때문에 아내와 헤어지는 등 인간적으로는 계속 외로워져 가는데...
The Whole Truth
Producer
Harvey Hunnicut is the stereotypical used car salesman: a fast talker who, to put it politely, is prone to stretching the truth about the cars he sells. He buys a used car from an old gentleman paying him far less that it's worth. After the deal, the old man tells him the car is haunted. Soon, Harvey finds that he can only tell the truth.